Just days before the official 60th anniversary of the liberation of the Nazi death camps in Europe (Jan. 27th), the United Nations is presenting a special art exhibition at the General Assembly Visitor’s Lobby. Opening on Monday, Jan. 24, 2005, Auschwitz – The Depth of the Abyss commemorates the victims of the fascist terror that claimed the lives of tens…
This past Jan.15th, over 200 artists, teachers, and students assembled outside the Louvre in Paris to protest the museum having stripped them of free entry. Last Sept. the museum did away with its policy of free entry for arts professionals and students, igniting a storm of disapproval. The “Louvre For All” protest was backed by 22 unions – including the…
The “pioneering conceptual artist” Chris Burden has built a prosperous career for himself based on controversy and the limitless gullibility of the official art world. In 1971 Burden arranged a stunt at the F Space Gallery in Santa Ana, California, and called it art. His exploit, titled Shoot, consisted of being shot in the right arm at close range by an…
The Coronation of Napoleon and Josephine (detail) Jacques-Louis David 1805-7.
One of the books I’m currently reading is artist Jean Charlot’s, The Mexican Mural Renaissance. Written in 1963, the book is a recollection of the French painter’s active participation in the Mexican Mural movement circa 1920-1925. Charlot befriended artists Siqueiros, Rivera, Orozco and others, at a time when their very first murals were being produced. Charlot himself created fresco murals…
I’ve created a brand new website that reveals the history of the Mexican Muralist Movement and one American artist’s personal connection to it. Philip Stein, also known as Estaño, worked alongside the famed Mexican Muralist David Alfaro Siqueiros from 1948 to 1958. He assisted the Mexican master in painting some of his most famous murals. I began corresponding with Estaño…
Worker’s Meeting (or “Mitin Obrero”), was a two-story mural painted by Mexican artist David Alfaro Siqueiros. Created on an outside wall of the Chouinard School of Art in Los Angeles, it depicted a militant union organizer addressing a multi-ethnic crowd on a LA street corner. The mural was revolutionary in more ways than one. It was the first time anyone…
I first became aware of the works of Christo in 1972 while reading, Towards Revolutionary Art (TRA), a small left-wing arts journal from San Francisco. TRA had published a caustic attack upon Christo for his Valley Curtain project (pictured above), a huge barrier of orange nylon fabric hung in Rifle Gap, Colorado. TRA’s fierce diatribe savaged Christo for his “$700,000…
