{"id":41,"date":"2005-01-04T14:42:00","date_gmt":"2005-01-04T21:42:00","guid":{"rendered":"https:\/\/art-for-a-change.com\/blog\/?p=41"},"modified":"2022-09-29T16:54:38","modified_gmt":"2022-09-29T23:54:38","slug":"apolitical-artists-war-what-war","status":"publish","type":"post","link":"https:\/\/art-for-a-change.com\/blog\/2005\/01\/apolitical-artists-war-what-war.html","title":{"rendered":"Apolitical Artists: \u201cWar? What War?\u201d"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/art-for-a-change.com\/blog\/images\/sacrifice.jpg\" alt=\"Without a sign of sacrifice back home\" \/><\/p>\n<p>In Artnet Magazine\u2019s year end report, <a href=\"http:\/\/www.artnet.com\/magazine\/reviews\/walrobinson\/robinson12-30-04.asp\" target=\"_blank\" rel=\"noopener\">The 2004 Revue<\/a>, editor Walter Robinson unconsciously laid bare everything that\u2019s wrong with the art world. The first remark he made that raised my hackles was, \u201cwe don\u2019t have art movements any more, we have market movements.\u201d And in what part of the 20th century have artists <em>not<\/em> been buffeted and controlled by market forces? For better or worse, capitalism has <em>always<\/em> exercised hegemony over artistic production &#8211; the same can be said of artistic activity under socialism.<\/p>\n<p>As for Robinson\u2019s assertion that there is no contemporary art movement, today\u2019s <a href=\"http:\/\/en.wikipedia.org\/wiki\/Stuckism\" target=\"_blank\" rel=\"noopener\">Re-modernists<\/a> would passionately disagree. Robinson\u2019s year end report offers obsessive commentary on the role of high finance in the art world, as if there was nothing else of importance to speak of. When he finally gets around to reviewing the works of artists, you wish he had stuck to his financial reporting.<\/p>\n<p>As an example of the best art made in 2004 he praises postmodernist Andrea Fraser for having videotaped herself having sex with one of her collectors for the alleged price of $20,000. Robinson suggests the pornographic video \u201crepresents eros, the life force, the one universal positive.\u201d But Robinson\u2019s ultimate statement of insensitivity, aloofness, and sheer downright stupidity came when he wrote the following:<\/p>\n<blockquote><p>\u201cAfter a rather extended period of uncertainty &#8211; during the recessionary first term of President George W. Bush, as it happened -the art biz has finally realized how obscenely wealthy America is. The US is so rich, in fact, that it can finance a foreign war &#8211; ably chronicled in these pages for the last 18 months by artist Steve Mumford, by the way &#8211; without a sign of sacrifice back home.\u201d<\/p><\/blockquote>\n<p>\u201cWithout a sign of sacrifice back home.\u201d Look at the photo of the young US Marine just returned from Iraq and tell me about sacrifice Mr. Robinson. That soldier is just one out of an estimated 15,000 &#8211; 20,000 American GIs who have been wounded in Iraq. Some of the maimed are missing limbs, eyes and sanity. As of this writing <a href=\"http:\/\/www.antiwar.com\/casualties\/\" target=\"_blank\" rel=\"noopener\">1,340 GIs have been killed<\/a>\u2026 5 just today. All of these soldiers have family, friends, and associates. A few of the lucky ones might be able to find work. Reflect on this Mr. Robinson, and the next time you write a review about the useless celebrities of the art world and their vain and frivolous works, perhaps you won\u2019t embarrass yourself.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Artnet Magazine\u2019s year end report, The 2004 Revue, editor Walter Robinson unconsciously laid bare everything that\u2019s wrong with the art world. The first remark he made that raised my hackles was, \u201cwe don\u2019t have art movements any more, we have market movements.\u201d And in what part of the 20th century have artists not been buffeted and controlled by market&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","wds_primary_category":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-41","post","type-post","status-publish","format-standard","hentry","category-artists-and-the-iraq-war"],"acf":[],"_links":{"self":[{"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/posts\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":0,"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/posts\/41\/revisions"}],"wp:attachment":[{"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/media?parent=41"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/categories?post=41"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art-for-a-change.com\/blog\/wp-json\/wp\/v2\/tags?post=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}