Happy holidays and…

Apparently St. Mary Magdalene was from Afghanistan. While looking through an online edition of the Washington Post I discovered an article they ran about Mary Magdalene, which was accompanied by the illustration shown below. The graphic had the following caption: “This handout image released by the Grace Cathedral shows an icon of St. Mary Magdalene, the principal woman disciple of…

On Dec 19, 2008, the official portraits of U.S. President George W. Bush and First Lady Laura Bush were unveiled at a ceremony that took place at the National Portrait Gallery in Washington, D.C., where the paintings become part of the museum’s permanent collection. Artist Robert Anderson had the dubious honor of creating the likeness of the president, and artist…

I’m very excited to be curating an exhibition titled Don’t Talk About Religion or Politics. Scheduled to open in January 2006 at Avenue 50 Studio in Los Angeles, the show will present paintings by Sergio Hernandez, Gwyneth Leech, Poli Marichal, John Paul Thornton, and myself. I wrote the exhibit’s mission statement, which should give you a better idea of what…

It’s more than a little interesting that the most reactionary administration in America’s history would nominate an openly Gay conceptual artist to be a symbol for the “excellence, vitality, and diversity of the arts in the United States.” The Bush State Department has chosen Felix Gonzalez-Torres to represent the U.S. at the 2007 Venice Biennale, and what a wise pick…

Part of the mission of my Art For A Change web log is to invigorate the arts scene, turning it from its isolation and lethargy to a newfound engagement. Here’s a bit of news artists around the world should take note of, particularly those living in the United States who insist that art should remain detached from social action. Professional…

The Battle for Babylon is an article written by art critic Jerry Saltz. While his article focuses on the art scene in New York, his critique is applicable almost universally. He takes the position that “more artists, gallerists, and curators are taking matters into their own hands” in an effort to circumvent the current arrangement that “reduces art to its…