In Berlin Germany, the Kunst-Werke Institute for Contemporary Art opened a major exhibition on January 29th, 2005 – Regarding Terror: The RAF Exhibition. Through the works of some 40 contemporary artists working in various media, the exhibit focuses on Germany’s infamous terrorist organization, Red Army Faction (RAF). In the 1970’s and 80’s, the communist urban guerilla group conducted a violent…
In 2004 the California Science Center in the Exposition Park of Los Angeles, presented Body Worlds: The Anatomical Exhibition of Real Human Bodies. In the words of the museum, “Thanks to the breakthrough process of plastination, more than 200 real human specimens are displayed to reveal an extraordinary new look inside the human body.” As a realist artist I naturally…
The Coronation of Napoleon and Josephine (detail) Jacques-Louis David 1805-7.
Starting this January 6th, the Stephen Cohen Gallery in Los Angeles is holding an exhibit of photos by Tseng Kwong Chi, and reading from the press release the show presents “tongue-in-cheek images of the artist posing as a Chinese Communist dignitary or ‘Ambiguous Ambassador’ in a world utterly alien to his persona, complete with the classic Mao suit, dark glasses…
What is Neoism? Just another permutation of postmodern entropy. An incomprehensible and pointless muddle posturing as the latest avant-garde art movement. Best summed up by its founder, Istvan Kantor, when he stated, “We are the Neoists, do not listen to us.” German police arrested Kantor last November on charges of property damage. He had splashed a container of his own…
This photo shows a US occupation soldier standing near a painting by an anonymous Iraqi artist. The artwork was inspired by the tales of One Thousand and One Nights, the classic book of Arab literature. First compiled in Arabic during the 9th century, the stories have inspired untold thousands of artists. It is the only Arabic work to have become…
Some months ago I was reading a Los Angeles art magazine’s review about an artist’s painting that had as its theme the terror attacks of 9/11. The reviewer made the following comment about the artwork: “the artist managed to de-politicize the work and therefore make its impact that much more dramatic.” The reviewer’s assertion reveals a pathological aversion to politics…
Stuart Jeffries writing for the UK Guardian, conducted a fawning interview with Jeremy Deller, winner of the esteemed Turner Prize. When the reporter asked, “You can’t draw, you can’t paint – how do you get the nerve to call yourself an artist?”, Deller replied, “The thing is – the world has moved on. You’re not writing with quills on parchment….
