Hallowe’en… what fearfu’ pranks ensue! This October 26, 2013, the trendy vampires and way-out ogres of Los Angeles will shamble and hobble their way to the 10th-annual Muse Costume Ball thrown at the Los Angeles County Museum of Art (LACMA). By a route obscure and lonely, haunted by ill angels only, the museum promotes their monstrous masquerade ball as “haunted by…
On September 27, 2013 the “liberal” American magazine, The New Republic, published an article by its editor-at-large Michael Kinsley. In the piece titled If They Replaced Detroit’s Art Treasures with Fakes, Would Anyone be Able to Tell?, Kinsley suggested that a proposal made by Harvard political scientist Edward Banfield 30 years ago might be the solution to the crisis at…
History was made on October 4, 2013, when hundreds of people gathered on the steps of the Detroit Institute of Arts (DIA) in Detroit, Michigan for a demonstration against city plans to sell the museum’s world-class art collection. The city has paid Christie’s auction house $200,000 to appraise the DIA’s holdings. The process is now underway to prepare for a…
In the immediate aftermath of the terror attacks of September 11, 2001, I created a street poster widely distributed in Los Angeles titled, I Am Not The Enemy. The poster was derived from an original pencil drawing of mine created in part as a reaction to the murder of a Sikh American man in Arizona, Balbir Singh Sodhi; the killing…
On Sept. 7, 2013, I went to the Southern California coastal City of San Diego, where I revisited the famed Chicano Park murals located in the Mexican-American community of Logan Heights. I spent a day photographing the park’s huge murals that are painted on the monolithic pillars of a freeway overpass, and in months to come I intend to present…
I see things through the eyes of a socially engaged artist. Making art is intellectual work that entails conceptual thinking and problem solving, capabilities that must also be applied to the world of politics. As a painter I believe that art is the enemy of war, the converse is also true: war is the enemy of art. In 1999 I…
Why is an artist in Los Angeles, California writing to defend a museum in Detroit, Michigan? Because I understand that whatever the fate of the Detroit Institute of Arts (DIA), it will affect museums all across the United States. The agony of Detroit is one of today’s enormously complex political and economic questions, but one that American artists must grapple…
