On this web log I often rebuke the excesses of postmodernist artists, excoriate the state of modern day art, and berate the apolitical intellectuals and art critics who justify and praise every inane and dim-witted act carried out in the name of art. It seems that almost every day we read about yet another imbecile whose “artworks” exemplify the utter…
Many people are familiar with the artworks of famed Colombian artist, Fernando Botero. Even those who have never paid a visit to a gallery or museum have most likely seen Botero’s paintings reproduced as poster prints and postcards. His characteristically joyful landscapes and scenes peopled with contented individuals have won the hearts of millions around the world. The 73-year-old artist…
Axis of Evil, the Secret History of Sin, a group show at the Columbia College Chicago Glass Curtain Gallery, was visited by Secret Service agents who photographed artworks and asked the museum director for the names and phone numbers of all participating artists. The Columbia group exhibition is made up of submissions from 47 artists from 11 countries. The exhibit’s…
In 2005 I rediscovered a number of my old sketchbooks that had been packed away for decades. These sketchbooks contain hundreds of pencil and pen drawings created by me during my high school years. Most of the artworks were created in 1970 when I was only sixteen years old. The drawings were largely of my classmates and friends, and some…
As a working artist I read a lot of art-related news, and I recently came across some reports concerning two controversial exhibits of national treasures, one exhibit from Tibet and the other from Iraq. Tibet: Treasures from the Roof of the World is a traveling exhibition now showing at the Rubin Museum of Art in New York. The Gold of…
Part of the mission of my Art For A Change web log is to invigorate the arts scene, turning it from its isolation and lethargy to a newfound engagement. Here’s a bit of news artists around the world should take note of, particularly those living in the United States who insist that art should remain detached from social action. Professional…
When I wrote a critique of the March 25th Whither Arts Journalism in LA? public forum, I didn’t expect it to strike such a deep chord with people. My analysis of the event stirred dozens of working artists, gallery owners, curators, educators and art lovers to send me encouraging e-mails. Of the dozens who have wrote to me, none were…
Many in the arts community wonder why the general public shows so little interest in contemporary art. Perhaps it’s time for a bit of reflection and self-criticism on the part of artists, who to a certain degree are responsible for the tremendous gulf between themselves and the public. Artists by and large have altogether ceased addressing the wider society. They…
