Hunter Biden’s very first art exhibit.

When speaking of banality in twenty-first century art, many names come to mind, but now there is a new dim star flaming out across the murky and corrupted skies of contempo art heaven. That not so bright heavenly body is named Hunter Biden.

“Rain #1.” Alcohol ink on paper. Hunter Biden. 2019. Source: Instagram

“Rain #1.” Alcohol ink on paper. Hunter Biden. 2019. Source: Instagram

On Oct 1, 2021, 51-year-old Hunter Biden held his very first art exhibit. The show was arranged by Georges Bergès, the New York gallerist representing Hunter. The invitation-only exhibit took place at Milk Studios in Hollywood, California, and continues until November.

Roughly 200 gawkers, glitterati and gullible buyers attended the opening. With sushi hors d’oeuvres and champaign, it was your typical ritzy Los Angeles art world soirée—but with a twist, a secret service man was in every corner!

A handful of celebrities showed up at the exhibit, goodness knows why. The gallery required proof of vaccination for entry, and Los Angeles Mayor Eric Garcetti wandered around in a Covid mask to set the proper mood for the paparazzi—though most attendees did not wear masks. Garcetti was of course the former national co-chair of Joe Biden’s 2020 campaign.

A handful of art world “luminaries” also attended; Millie Brown the “performance artist” waltzed in. She is lauded by postmodern sophisticates as the newest YBA (that’s “Young British Artist” to you unchic yobs). Millie has literally made a splash on the art scene; she drinks soy milk mixed with food dye, sticks her finger down her throat, and vomits up the mess onto canvas. No, I am not kidding.

Painting with Millie. I don’t make mistakes, just happy little accidents. There’s a happy little tree and a happy little Sun.

Painting with Millie. I don’t make mistakes, just happy little accidents. There’s a happy little tree and a happy little Sun.

Of course, Millie tossing her cookies is highly derivative of YBA Martin Creed and his 2006 era vomit video performances like Work No. 610, but plagiarism is a crown worn with pride by postmodern artists.

One can see similarities between Millie’s “vomit paintings” and Hunter’s vomitous watercolors. While Hunter’s paintings are astronomically priced, you can still pick up a pleasant little Millie barf canvas for under $3,000. However, don’t wait too long, Millie disgorges works at a nauseating pace and aficionados line up to spew cash in her direction.

For his watercolors Hunter Biden “paints” alcohol inks onto Japanese Yupo paper, a synthetic nonporous paper made of thermoplastic polymer that alcohol inks bond to. To apply the ink he uses traditional watercolor brushes and sometimes a wok brush—the bamboo kitchen tool used to clean the rounded bottom steel cooking pans of China. Hunter knows a few things about China, but that is another story.

“Rain #1.” Alcohol ink on paper. Hunter Biden. 2019. Source: Instagram

“Over the years he has acquired great skill in the use of a straw." The master at work, 2019. Source: Instagram

An ordinary straw is the preferred tool Hunter uses to manipulate the inks in his paintings. Over the years he has acquired great skill in the use of a straw. His challenge today as an artist is to resist the habit of sniffing through the straw, and instead blowing through the straw with his lips to push colorful alcohol inks around on paper.

Amusingly, when you type “alcohol inks” into a search engine’s image bank, you will find artworks that look remarkably like Hunter’s ink painting “masterworks.” It’s just that no one is brazen enough to ask $500,000 for one.

The problem with Hunter’s first exhibit are the prices of his original works, they start at $75,000 they go up to half a million. Those are unheard of prices for an unknown artist who never sold an art piece or had an exhibition, not just unlikely prices but impossible ones. However, since the single entry in Hunter’s catalogue of artistic achievements is listed as “Son of the President,” there is good reason to suspect something else besides art is being offered for purchase.

Hunter made his first sale of art at his very first exhibit when five of his art prints were sold by the Georges Bergès Gallery in LA, just prior to opening its Milk Studios showing. The prints were purchased by an anonymous buyer at $75,000 each, for a total of $375,000. It is not known if the prints were reproductions of Hunter’s original works, or if the prints were a signed and numbered edition. At any rate, it is an enormous sum for an emerging artist. By comparison signed prints by Pop Art icon Ed Ruscha can go for as little as $2,500, and he is a legend of the 20th century California art scene.

Think about this for a moment. Recently a small painting by Pablo Picasso was found in a closet where it had been stored for 50 years. On June 26, 2021, the painting was sold at auction for $150,000. In the same timeframe we are told that five Hunter Biden prints are worth $375,000. Is this a joke, Hunter’s art worth more than Pablo Picasso’s? There is not a shred of sanity left in the art world, nor in the sycophantic press that goes along with this nonsense.

“Untitled #4.” Alcohol ink on paper. Hunter Biden. Source: Instagram

“Untitled #4.” Alcohol ink on paper. Hunter Biden. Source: Instagram

Many voices both in and out of the art world expressed concerns that Hunter’s high priced artworks were part of a pay-for-play scheme; meaning, spend $500,000 on a painting by Hunter and you get a meeting with Lunchbox Joe from Scranton! Alarmed, the Biden White House and gallery owner Georges Bergès crafted a plan to keep the identities of buyers secret from the press, Hunter, the president, and society at large. Only Bergès will know the identities of buyers, that way—wink wink nudge nudge, “ethical issues” will be avoided.

But there is a giant hole in the White House/Bergès pact to keep the names of buyers from Hunter. The “artist” attended the show’s opening and rubbed elbows with potential purchasers; he conversed with them, posed for photos with them, and drank champaign with them. Ever been to a large art opening? What do you suppose Hunter discussed with his audience?

Richard Painter was the former chief White House ethics lawyer that served under the George W. Bush administration from 2005 to 2007. Yeah I know, Dubya had an ethics lawyer? Keep laughing, but when you stop to catch your breath, Painter said Hunter showing up at his own exhibit “illustrates how this veil of secrecy idea is not happening. It shows the deal is not going to be secret. I think the White House needs to go to Plan B.” Painter went on to say: “Buyers tend to be rich people, and rich people come to their houses and it tends to get around. Everyone’s going to be talking about it and everyone’s going to know.”

OK, so you are a liberal that thinks an establishment Republican like Mr. Painter has no credibility. Well, that is correct, so here is the opinion of an establishment Democrat that has no credibility, Walter Shaub. He was the Obama White House director of the Office of Government Ethics. Here is what Shaub said about the White House/Bergès deal:

“They’ve put an art dealer in charge of keeping a secret, and really what he’s doing is keeping a secret from the public because eventually Hunter Biden or people in the White House will learn who it’s going to be. In fact, Hunter Biden, we now know, is going to be at two art showings where he will meet the universe of bidders on his art. So, they left that detail out when they told us he had no way of knowing who was buying his art.

So there’s no intrinsic value to the art. It’s whatever anybody says they want to pay for it. The problem is, they’re buying it from the President’s son at prices that you would never see for a first-time art sale. There is a local artist collective in Alexandria, Virginia, just outside Washington, D.C., where if you go, really well-established artists who have been doing this for years and have quite a following, are selling for $2,000 to $5,000. And he’s not even at that level because this is his first sale.

So it really doesn’t matter whether anyone likes his art or not, the question is can you find anyone other than a president’s son, who showed up on the scene and started selling for the cost of a house and a half, because $295,000 was the price of the average home sale last year, and he’s selling for up to $500,000.

So ideally Hunter Biden wouldn’t be doing this because it sure looks like profiting off the presidency. But if they couldn’t talk him out of doing it, there is something that’s within their control. They could promise us today, that if they happen to learn who any of the buyers are, they will notify us immediately, and they will tell us again, if any of those buyers get a meeting with the White House or any other political appointee.”

Here is how the art world actually works. In the 1960s New York art collector Robert Scull purchased works from starving artists who could barely feed themselves; he purchased a Robert Rauschenberg painting for $2,500 and an Andy Warhol painting for $2,500. In 1973 Scull turned around and sold the Rauschenberg for $90,000 and the Warhol for $135,000. Repeat the process over and over. Today a Warhol costs millions. That unfortunate dynamic remains today, though it has grown even more rapacious and ridiculous.

Hunter is no Warhol, not even a Thomas Kinkade. He belongs to the ungifted celebrity circle of paint-slinging daubers Jim Carrey is affiliated with. If there is one thing I find annoying, it is the talentless “celebrity artist.” We are plagued by these insipid finger painters. The movie and music industries in Hollywood are lousy with them. Now Hunter Biden joins their ranks. Corporate media have taken seriously the claims that Hunter is a genuine artist. I believe it was the New York Times that first heralded that falsehood.

On July 29, 2021, Hunter Biden was the special guest on Nota Bene: This Week in the Art World, a podcast that shares art world gossip. Latin for “note well,” Nota Bene is not my cup of tea, but in his interview Hunter likely made his only truthful public statement concerning his art:

“I never said my art was going to cost what it was going to cost, or how much it would be priced at. I would be amazed, you know, if my art was sold, for you know, for, umm… for ten dollars.”

Soon after the opening of Hunter’s Hollywood exhibition, a new controversy began to plague the Georges Bergès Gallery. Last year the gallery, which only employs two people, applied for a Covid disaster assistance loan from the Small Business Administration (SBA); they received a $150,000 grant. Six months into the Biden presidency a second grant was dispensed, the allocation had skyrocketed to $350,000. The gallery also received two Paycheck Protection Program loans, bringing its total Covid relief payment to $580,000. Some two months later the gallery was selling Hunter Biden’s art in Hollywood, with plans for a larger exhibit of Hunter’s art in a springtime show at the Georges Bergès Gallery in New York.

Alcohol ink on paper. Hunter Biden. 2019. Courtesy of Georges Bergès Gallery.

Alcohol ink on paper. Hunter Biden. 2019. Courtesy of Georges Bergès Gallery.

Gallerist Georges Bergès claims he applied for the grants during the Trump years before the gallery represented Hunter. However, it is undeniable that taxpayer-funded Covid relief money now sustains a gallery that promotes and sells the artworks of the president’s son.

This might be disconcerting even to those who think Hunter and Georges Bergès are not involved in unethical behavior. On Oct. 9, 2021, the New York Post reported on the loan question, stating: “While there is no evidence President Biden helped secure the additional $350,000 loan, a watchdog group found that of the more than 100 galleries in New York City’s 10th congressional district, which includes SoHo, TriBeCa and Chelsea, the Georges Berges Gallery received ‘by far’ the largest SBA disaster loan windfall.”

If only a small portion of that “relief” money promoted the Hunter Biden exhibition and sale of his works, someone could be in very hot water over the president’s son directly benefiting from taxpayer-funded loans. Nevertheless, I have no expectations that Attorney General Merrick Garland and the entire Biden Department of Justice, including the FBI, will be delving into the matter.

In the unregulated art industry, you can sell anything to anyone at any price; it is a backdrop for corruption and money laundering. The humming sound coming from the drones is for gaudy and graceless contemporary art—an investment vehicle and method for moving hugh amounts of currency around. If you think the art press would be interested in such a story, think again.

Alcohol ink on paper. Hunter Biden. 2019. Courtesy of Georges Bergès Gallery.

Alcohol ink on paper. Hunter Biden. 2019. Courtesy of Georges Bergès Gallery.

As I see it, contemporary art has been stripped of technical skill and narrative power. Craft has been tossed out the window. Beauty and truth are mirages, nothing more than cultural and political constructs to be avoided.

Consider the successful artists of today. Jeff Koons creates giant balloon animals out of polished stainless steel. His net worth is $500 million. Marina Abramović sat in motionless silence for 2 months at a table during her The Artist Is Present performance at New York’s MOMA. Her net worth is $10 million. Damien Hirst is best know for The Physical Impossibility of Death in the Mind of Someone Living, a 14-foot-long dead shark in an aquarium filled with formaldehyde. His net worth is $1 Billion.

The aesthetics of Koons, Abramović, and Hirst are the norm, and so the fatuous work of Hunter fits right in. Welcome to the art world, circa 2021.

More than a few critics of Hunter’s art have said his works do not convey excellence like those of a virtuoso artist. True but imprecise. Likewise, those who look at Hunter’s paintings and say, “My kid could do that,” are unaware of the actual state of the art world. Contemporary postmodern art practice asserts painting cannot be done on its own, it should be “in conversation” with video, performance, installation, and conceptual art—this is referred to as “pluralism” in art. In that purview painting is a “residual form” of art, meaning, it is from the past and should not be allowed to dominate.

Hunter Biden has said painting “is literally keeping me sane.” It is good to hear he uses art to center himself. With his history of cocaine and crack abuse, and a reckless addiction to prostitutes, he is indeed a troubled man. His art is a form of self-treatment, but he should contact a bonified art therapist for help. We should all be grateful that Art Therapy, a practice rooted in the field of Psychology, brings real healing to distressed individuals. Be that as it may, let us not confuse Hunter’s self-therapy as a contribution to the history of art.

I have been a working artist in Los Angeles most of my life, and deeply involved in the city’s art community. In past decades I have seen LA as a seedbed for creativity and a fountainhead of greatness. I can trace the excellence and distinction of art in Los Angeles going back to the 1900s, when LA artists began to make unique contributions to Modernism and Impressionism.

In 1912 Los Angeles was a center for Synchromism, America’s first foray into abstraction—the movement blended fiery Fauvist color with Cubist and Futurist energy. We had our own “Group of Eight” painters to match Robert Henri and The Eight in New York. The Art Students League, Otis Art Institute, and Chouinard School of Art were top-notch art schools that advanced new directions while teaching basic traditions and methods of painting and draftsmanship. In the 1930s California artists contributed heavily to the American Scene Painting movement; paintings that focused on the land, its people, and the social realities of the time. Closely aligned to the American Scene painters were the Social Realists, whose forte was social commentary. Los Angeles was ground zero for those two art movements that profoundly influenced me.

“Telescope #1.” Alcohol ink on paper. Hunter Biden. 2019. Source: Instagram

“Telescope #1.” Alcohol ink on paper. Hunter Biden. 2019. Source: Instagram

What I am so very sad to report is that I no longer see this greatness in Los Angeles. I see Hunter Biden and Millie Brown, I see plagiarists masquerading as artists. I see spray-paint vandalism praised by vaunted art institutions. I see entropy and cynicism instead of fecundity and joyous creation. With the second-rate and mediocre being continuously rewarded, it appears that greatness rented a U-Haul to flee the once great City of the Angels—not to mention the rest of the world. But where exactly did greatness go?

For many, being an artist is not a lucrative career, it is a hand to mouth existence. Still, the profession has its rewards, riches that are intangible and etherial. Creating and offering gifts of beauty to humanity is no small affair; some have tried to make it a business, but it has always been a spiritual calling. One creates, not for money or celebrity, but because it needs to be done. I have known ingenious artists blessed with Promethean talent, who made and shared sublime creations. Yet, they passed away unnoticed by the gatekeepers of culture, a fiefdom that assures you will know the likes of “artists” like Hunter Biden.

The 19th century American painter John Sloan perhaps said it best: “Art enriches life. It makes life worth living. But to make a living at it—that idea is incompatible with making art.” The way I see it, if someone is baffled by Sloan’s thoughtful reflection then they have no real understanding of art.

The words of art critic Robert Hughes (1938-2012) continue to ring in my head. The following statement from Hughes came from his 2008 documentary on contemporary art, The Mona Lisa Curse. It perhaps best sums up the spectacle of Hunter Biden’s entry into the art world, and so it makes the perfect closing to my uncharitable essay:

“The entanglement of big money with art has become a curse on how art is made, controlled, and above all, in the way that it’s experienced. And this curse has affected the entire art world. Apart from drugs, art is the biggest unregulated market in the world, with contemporary art sales estimated at around $18 billion a year. Boosted by regiments of nouveau riche collectors, and serviced by a growing army of advisors, dealers and auctioneers. As Andy Warhol once observed, ‘Good business is the best art.’”

A Simulacrum Looking-Glass World

“You may have noticed, I’m not all there myself.” Cheshire Cat, from Lewis Carroll’s Alice’s Adventures in Wonderland.

“You may have noticed, I’m not all there myself.” The Cheshire Cat, from Lewis Carroll’s Alice’s Adventures in Wonderland.

On Sept, 27, 2021, “the Big Guy” was speaking at the White House about his Covid-19 vaccination efforts. However, the real focus of the event was his receiving a third nRNA Covid vaccine shot live on camera. You undoubtedly saw photos of the black-masked Biden sitting in the White House with his sleeve rolled up, a nurse giving him the inoculation. But nothing is quite as it seems in the Looking-Glass world.

Mainstream news broadcasts aired a brief snippet of film showing Biden in the White House being vaccinated. Still photos of the event were published by online corporate news sources. Those photos circulated on the internet and people began to notice some oddities.

While it was reported that Biden was inoculated at the White House, viewers noted that from the windows of the room where he was vaccinated, one could see the White House. People began to wonder, “where was this filmed?” The event took on the aura of Alice’s Adventures in Wonderland when observers noted the tree boughs and branchlets outside of the windowed room didn’t move in the breeze. Some said it was a giveaway that out of three windows, two suns blazed above the executive mansion, or so it appeared.

“I knew who I was this morning, but I’ve changed a few times since then.” Alice, from Lewis Carroll’s Alice’s Adventures in Wonderland.

“I knew who I was this morning, but I’ve changed a few times since then.” Alice, from Lewis Carroll’s Alice’s Adventures in Wonderland.

A day later other photos began to circulate, and down the rabbit hole we all tumbled. Like an exploded-view drawing, the photos showed various characters and props. At center stage sat Scranton Joe and his trusted doctor, together they were surrounded by the trappings of power—Presidential Seal, US Flag, a peek at the White House outside the fake windows. Off-stage, journalists silently sat in the dark, documenting the performance to present a Potemkin on the Potomac to the unsuspecting. Curiouser and curiouser!

“Why, sometimes I’ve believed as many as six impossible things before breakfast.” The Queen, from Lewis Carroll’s Alice’s Adventures in Wonderland.

“Why, sometimes I’ve believed as many as six impossible things before breakfast.” The Queen, from Lewis Carroll’s Alice’s Adventures in Wonderland.

Many suspected the photographs were “doctored images,” but video of the event appeared online. The Los Angeles Times and CBS News are but two of the corporate media entities that published video. The rumor mill blazed and churned. Biden was not in the White House, he was on a stage! It was a phony White House room constructed for the occasion! The motionless tree branches were fake, what else was a sham? It was all theatrics, a mock nurse vaccinating a pretend president! The rumbling continues, and for good reason—there are seeds of truth in the rumoring.

For reasons unknown, Biden did not hold his publicity stunt vaccination in the White House. It was conducted at the South Court Auditorium of the Eisenhower Executive Office Building (EEOB), just west of the White House. In video of the event, when Biden ended his pro-vaccine speech, he introduced “the Major,” a “nurse with the White House Medical Unit” (according to the administration), who administered the vaccination.

But why not hold the vaccination event in the Oval Office, the president’s formal workspace? You cannot say it is less sanitary than the stage in the Eisenhower Executive Office Building. Why not have the official physician to the president, Dr. Kevin O’Connor, administer the vaccination instead of an anonymous nurse? These two things would have conferred gravitas to the event. A small press pool could have provided photos and accounts to the national and international media.

The Eisenhower Executive Office Building houses the majority of offices for White House staff, and its South Court Auditorium has in the past hosted events by President Obama and President Trump. Photos of these events can be found on the Alamy Stock Photo agency, where I also confirmed that Biden used the EEOB auditorium for his Sept, 27, 2021 televised vaccination.

The EEOB auditorium has a stage with interchangeable backdrops, walls, and digital displays. The three windowed backdrop with artificial views of the White House has been seen at other Biden events in the auditorium. Backstage is situated behind the backdrop. The ceiling is equipped with track lighting that uses square LED lighting panels.

During the Biden inoculation, light from two backstage fixtures can be seen through the semi-opaque images framed in the fake windows; hence the confusion over two suns. The stage, facing seats for approximately 200, is only slightly elevated above the floor. The day of the Biden jab, press photographers with telephoto lenses crammed the seating area.

“I wonder if I’ve changed in the night? Let me think. Was I the same when I got up this morning?” Alice, from Lewis Carroll’s Alice’s Adventures in Wonderland.

“I wonder if I’ve changed in the night? Let me think. Was I the same when I got up this morning?” Alice, from Lewis Carroll’s Alice’s Adventures in Wonderland.

What did Biden gain by holding his publicity stunt at the Eisenhower Executive Office Building? As an event meant to attract attention and sway public opinion, it was about as successful as his withdrawal from Afghanistan.

The EEOB affair was so ineffectual that it left in its wake doubt and rumors of skulduggery. Marketers, celebrities, politicians, and others have used stunts as a way to garner publicity, likewise, propagandistic communication manipulates the attitudes of targeted audiences. Regardless, Lunchbox Joe’s communications team proved unskilled on both counts… but it was not for lack of trying.

Joe’s stagecraft or lack thereof, was not the inspiration for this essay, I give Lewis Carroll’s 1865 classic Alice’s Adventures in Wonderland credit for that. Watching the televised inoculation I thought of the Cheshire Cat’s words, “we’re all mad here.” That a stage production replete with props can be taken for reality reminded me of the cliché some use to describe real world events“It was just like a movie!” We have slid into the madness of postmodern culture.

Well trained moderns are not able to discern the real from a simulation, but hey, artificiality is as good, if not better, than the real thing. Or so it is said. Simulacra replacing reality is found everywhere; think of Auto-Tune displacing the human voice in pop music, or CGI Cinematography superseding our understanding of color, depth perception and perspective. Mobile phones and laptops give you nothing but simulacra. The art world has glommed onto “appropriation art” and other postmodern tragedies. What passes for journalism is now little more than pre-packaged falsehoods. Heck, even the doings of politicians have become vague semblances of action; Biden’s imitation White House for example.

As an artist I always appreciated the late 1950s French artist’s group, the Situationist International (SI). They described our social order as the “spectacle commodity” society; a daily parade of consumerist culture, not a reflection of the real world—but a media spectacle we are conditioned to favor through an endless stream of manufactured events and desirable commodities.

Situationists thought the ruling class culture machine intentionally reduced everything to simulacrum, in part because representing the real with symbols gave ultimate power to those who produced the ideograms. Ruling clique media was not for imparting information, it was for interpreting our private selves and selling our desires back to us. Simulacrum became a method of social control, certainly this is what today’s Tech-Lords have done with Twitter, Facebook, YouTube, and Tik Tok. The only thing that changed in the interim was the packaging.

Jean Baudrillard, the French cultural theorist associated with the SI, once said: “It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real, for the real.”

Today’s postmoderns give credit to the Situationists for inaugurating performance art, conceptual art, and installation art, which is nonsense of course. Postmodern art is just an updated app in the ruling class culture machine. If the SI were active today (they disbanded in 1972), they would go after the art establishment with hammer and tongs.

Here is another example of our willing acceptance of artificiality. In 1962 the Louvre in Paris loaned Leonardo da Vinci’s Mona Lisa to US museums for exhibit. When informed the painting was coming to America, Andy Warhol quipped, “Why don’t they have someone copy it and send the copy, no one would know the difference.” And they call that guy a genius. Things have only gotten worse—today Non Fungible Tokens are a big thing for the so-called “art market.”

If the French neo-Marxists of the Situationist International are not your cup of tea, then read the words of Václav Havel (1936-2011), which could have been written yesterday. Havel was a Czech playwright, poet, and opponent of Soviet rule over his nation. When communism collapsed in Czechoslovakia in 1989, Havel was elected president. In 1993, when Czechoslovakia split into the Czech Republic and the nation state of Slovakia, Havel became the Czech president.

Havel was forced into the role of dissident when, during the 1970s and ‘80s, the communist regime censored and banned his plays, confiscated his passport, and repeatedly arrested him. The Stalinist government put him in prison for four years. Havel’s words from those dark days have an unnerving familiarity to them:

“Life in the system is so thoroughly permeated with hypocrisy and lies, because the regime is captive to its own lies, it must falsify everything. It falsifies the past. It falsifies the present, and it falsifies the future. It falsifies statistics.”

The realities expressed in the above paragraph loom large in Havel’s works; Americans concerned with totalitarianism should read his satirical writings. His 1965 The Memorandum tells the tale of a large office where bureaucrats saddle the employees with Ptydepean ungraspable pseudo language designed, presumably, to increase communication and productivity. Everyone is ordered to speak the language, but no one knows how. Rifts open up in the workforce and productivity goes down.

Bureaucrats provide a classroom to teach Ptydepe, but it is much too difficult to learn. Mayhem reigns until the workplace officials manufacture the solution… a different artificial language called Chorukor is mandated.

In closing, just keep in mind that the totalitarian stranglehold that plagued and tortured the people of Czechoslovakia, was swept away in 1989 by the non-violent “Velvet Revolution.” With smiles on their faces and poems in their hearts, the love, solidarity, and national unity of the people defeated the tyrannizers.

My final words offer cautionary advice about gulping down the toxic lies you are offered everyday. The admonition actually comes from Lewis Carroll’s Alice. The sweet child said: “If you drink much from a bottle marked ‘poison’ it is certain to disagree with you sooner or later.”

“Alice down the rabbit hole.” This illustration by British artist David Hall depicts a terrified Alice tumbling down the burrow of the White Rabbit. The art comes from the 1939 proposed draft for the Disney animated film “Alice in Wonderland.” It was reject by Disney for being too dark and frightening, and too detailed to animate. Some of Hall’s amazing concept art for Alice in Wonderland can be found online, but the demo reel produced for Disney has been lost to history.

“Alice down the rabbit hole.” This illustration by British artist David Hall depicts a terrified Alice tumbling down the burrow of the White Rabbit. The art comes from the 1939 proposed draft for the Disney animated film “Alice in Wonderland.” It was rejected by Disney for being too dark and frightening, and too detailed to animate. Some of Hall’s amazing concept art for Alice in Wonderland can be found online, but the demo reel produced for Disney has been lost to history.

The Avengers Open Your Eyes

Penelope Houston, lead singer for the Avengers, 1978. All dressed up in cellophane and tape with nowhere to go. Photo by James Stark.

Penelope Houston, lead singer for the Avengers, 1978. All dressed up in cellophane and tape with nowhere to go. Photo by James Stark.

Wild-eyed and frantic as she dressed for work early in the morning, my wife Jeannine caught me stumbling out of the bedroom sleepy-eyed, scratching my head and trying to remember a dream. She flung herself at me, grabbed me by my arms, and staring me square in the face, excitedly yelped: “What’s that punk song where the girl sings ‘Open Your Eyes, Open Your Eyes!!” Yup, just another day in my household.

I shook my head of dream shards, and paced a bit as I mumbled under my breath: “open your eyes… open your eyes.” The words were forming out of my drowsiness: “they tell you lies… and… you… sing… along.” I prodded myself, it was too early to play a question game, but, “I know this song, what is it?”

Suddenly it came to me, I felt like a kid getting knocked down by an ocean wave at any one of California’s polluted beaches. “AVENGERS! That’s it!!” The minutiae surrounding the song suddenly filled my head, names, dates, places, histories. Out of convenience I turned to the dreaded abyss of YouTube, typed “Avengers, Open Your Eyes,” and up popped the defiantly rebellious punk rock anthem from 1978.

The work-a-day-world preparations ceased momentarily as my wife and I eagerly listened to the punk rock oldie. Amazingly, that musical cry from the past summed up the problems of the present; it shrieked back against all the malfeasance, crookedness, venality, and depravity of today’s daily news—including contempt for the media itself. This was much more than teenage angst. Listen to the furious song and feel the indignation:

At first I thought you were dead, but now I see you’re one of the rest
they drugged you with muzak and TV sedation, you’re one of the blank generation

(Refrain) Open your eyes, open your eyes, you don’t see what’s going on
come on, open your eyes, open your eyes
you watch TV to find out what’s right and wrong
yeah, open your eyes…well they tell you lies and you sing along
open your eyes, to what you respected
open your eyes, you can reject it

I want to upset you, want to make you think, but you eat all their s**t
it makes your breath stink, gonna get a job, and join a f**king union
that way, you know, nothing’s gonna happen


Like lemmings you run, towards destruction
you can’t see the stream of corruption
oh I see, you’ve been blind
you better make up your mind


Think of this post as a time capsule of sorts. It holds a flyspeck cache of evidence that—once upon a time, art and culture, under the guise of punk rock, mounted a last gasp defense of liberty.

It is genuinely astonishing that the Avenger’s Open Your Eyes, a song of rage from America’s punk outburst of the late 70s, so effectively voices what millions of normal Americans are ruminating over in 2021. “Fake News”? Bah! Phfftt! In ’78 punks were shouting about the corporate media, “they tell you lies and you sing along!”

Granted, punk was an amorphous body of misfits; musicians, artists, writers, photographers, and guttersnipe philosophers. Mostly working class outsiders, we were a different breed of individualist oddballs unable to paint by the numbers. Down through the ages such eccentrics left in their wake inscrutable miscellanea—songs, writings, objects. This is no less so for punk. Social historians, or those who simply wish to nullify conformity and its ugly twin named obedience, should shift through the wreckage punk wrought. There are secrets to be found there.

Children’s protest against toxic waste contamination held in the Love Canal neighborhood, circa 1979. Photographer unknown.

Kids protest toxic waste contamination in the Love Canal neighborhood, circa 1979.

A case in point, Love Canal. That was a suburban community in Niagara Falls, New York. It was a neighborhood with higher than median income, access to schools and shopping areas, in many ways it epitomized the American Dream.

But no one ever told the people who purchased Love Canal homes that the community was built upon a massive toxic chemical dump. Around 200 tons of highly toxic dioxin had been dumped there. By 1975 eighty-two deadly chemicals—11 being carcinogens, leached into the top soil and groundwater to poison the population. High rates of miscarriages and birth defects were reported, and cases of epilepsy, asthma, migraines, and kidney disease soared.

In 1980 you could turn on commercial radio and hear hits like Magic by Olivia Newton-John, Do That to Me One More Time by Captain & Tennille, The Rose by Bette Midler, and Heartache Tonight by the Eagles.

“Flipper, Adolescents, Wasted Youth” 1981 xerox flyer for punk concert at The Vex punk club in East Los Angeles. The top strip shows a child with radiation burns in Hiroshima 1945, a Chinese baby burned in a Japanese bombing run, Aug. 1937, a young Vietnamese girl burned in a napalm attack, 1972. The flyer featured a boy with birth defects from thalidomide toxicity, late 1950s.

“Flipper, Adolescents, Wasted Youth” 1981 xerox flyer for punk concert at The Vex punk club in East Los Angeles. The flyer shows a child with radiation burns in Hiroshima, 1945. A Chinese baby burned in a Japanese bombing run, Aug. 1937. A young Vietnamese girl burned in a napalm attack, 1972. A boy with birth defects from thalidomide, late 1950s.

I was listening to Love Canal in 1980, the first single released by the San Francisco terror noise punk outfit named Flipper. While acceptable pop celebrities were busy racking in the bucks with endless insipid love songs, Flipper was skulking about in underground venues wailing lyrics about the horrors of Love Canal: “We set sailing, drifting down the love canal. We seem strange, our bodies are breaking down.

And so forever shall it be, the elites will bring you distractions and illusions, while the noble artist will alway bring you reality and truth—no matter how disquieting.

Yes, punk music made you squirm and twitch, either from delight or disgust. It delivered its uncomfortable message in a purposely excruciating, frenzied, and discordant way. It was meant as a musical slap to the face (“Open your eyes!”). Punk was always itching to fight, metaphorically speaking of course, but dominant culture gatekeepers thought it too contentious to be given a seat at the table of mainstream culture. Which is why you never heard of the Avengers or Flipper. The multitudes must be “drugged with muzak and TV sedation.”

I saw the Avengers play BACES Hall on April 18th, 1978 with the Flyboys and some neophyte band listed on the flyer only as “guests.” Turned out to be the Go-Go’s, like I said, dabblers. BACES was one of the few venues in LA that allowed punk concerts. The Avengers were a train blazing down the tracks to fly off the rails, their convulsive sound blasting through the sweaty horde of punks. A 1978 film captured a live Avengers performance; it is incorrectly labeled a performance at CBGB’s in New York City. The Avengers existed from 1977 to 1979, and the original band never toured beyond the West Coast. The film likely shows a gig at Geary Temple in San Francisco.

As with everything in Los Angeles, nothing is as it seems. In 1947 the Bulgarian American Cultural Education Society (BACES) was a non-profit corporation that promoted the culture and history of Bulgaria. The group rented a concert hall facility at 1530 N. Vermont Avenue in Los Angeles which they naturally enough named, BACES Hall. The group held classical music recitals, lectures, and readings that integrated Bulgarian traditions into American life. That early history has been entirely lost, in fact BACES Hall was torn down years ago and replaced with, what else, a Mini Mall.

“Avengers, Flyboys, Go-Go’s.” 1978 xerox flyer for punk concert at BACES Hall, Hollywood, California. Collection of Mark Vallen.

“Avengers, Flyboys, Go-Go’s.” 1978 xerox flyer for punk concert at BACES Hall, Hollywood, California. The gig was sponsored by the Masque, LA’s first punk venue. Collection of Mark Vallen.

Way back in 1978 I found out about the Avengers gig at BACES Hall in the same way all the underground weirdos learned of the next riot, err, I mean “concert.” I happened upon a xerox flyer. And so, the last bit of this screed will briefly deal with the other component of the punk aesthetic that always mesmerized me as an artist, the do-it-yourself, primitive, and inexpert xerox flyer.

I have always been fascinated by the simple sketchy images intended to convey unorthodox ideas. The harsh imagery of the German Expressionists and DaDaists of the 1930s invariably got my attention. I was also heedful of the psychedelic graphics from the 1960s, particularly in the way they were distributed via posters and flyers. But the punk aesthetic hit home in a different way.

These were modern black and white images of nihilistic despair, sometimes comical, often cynical, always engaging. Riotous hodgepodges of news photos ripped from magazines and newspapers, combined with hostage letter fonts and juxtaposed with inane advertising images. Pretty near all the flyers were cheap xeroxes, heightening the critique that mass culture was fabricated and counterfeit. I appreciated that most were created by anonymous artists. I created a few myself.

“Avengers X Bop.” 1979 xerox flyer. The original bass player for the Avengers, James Wilsey, designed this severe, bloodcurdling graphic.

“Avengers X Bop.” 1979 xerox flyer. The original bass player for the Avengers, James Wilsey, designed this severe, bloodcurdling graphic.

Some of my favorite punk flyers utilized singular images, some of them hand drawn, crudely or otherwise. They were artfully artless. Of late, social media has made the digital meme the sovereign of humorous if not troublesome graphics. I find some memes amusing, but there’s just something different about a handbill handcrafted by the human hand. Xerographic flyers do not rely on censorious High-Tech Overloads for distribution, and best of all, they can be left anywhere to intervene in daily life.

Perchance this essay will be taken as a crucial gift to seekers of esoteric knowledge and inspiration in dark times. On the other hand, I am tickled to death at the thought of those searching for the Avengers of Marvel Comics superhero fame… finding this essay instead.

Afghanistan Apocalypse

An unidentified artist in Kabul burns her paintings before the Taliban discovers her studio. Photo: Omaid Sharifi 2021

An unidentified artist in Kabul burns her paintings before the Taliban discovers her studio. Photo: Omaid Sharifi 2021

Imagine being an artist in a country that banned art. Furthermore, to save yourself and your family, you had to burn all of your paintings before the theocratic zealots of the unelected “government” could discover them.

“My heart shatters to see and talk to Afghan artists who have started destroying their own art out of fear. Afghanistan is becoming black and white again. It’s losing its beauty, diversity and colors. I am afraid the world will let this happen again!”

So said Omaid Sharifi, Afghan artist, curator, co-founder & president of ArtLords. That Kabul based grassroots organization of artists and volunteers tried to heal their war ravaged nation with “the soft power of art and culture.” The first group in Afghanistan to paint public art murals on the streets was ArtLords… they might be the last, now that the Taliban have seized control.

Sharifi and fellow artists were painting a mural in Kabul on Aug. 15, 2021, when Taliban terrorists began swarming into the city. Ironically, the previous day Sharifi uploaded a video to twitter showing his group working on the new mural, he wrote: “We are painting a mural today-now. It reminded me of the famous scene from Titanic Movie, where musicians play until the ship sinks.” As the Taliban took over Sharifi went underground. Thankfully he and his family escaped, and resettled in a refugee camp in Abu Dhabi, United Arab Emirates.

Afghan artist Omaid Sharifi, painting a mural on the streets of Kabul, Afghanistan with fellow members of ArtLords. Photo: Omaid Sharifi, 2021.

Afghan artist Omaid Sharifi, painting a mural on the streets of Kabul, Afghanistan with fellow members of ArtLords. Photo: Omaid Sharifi, 2021.

In truth this essay is not about artists resisting dystopia. Rather, it is about liberty, human dignity, and the fate of nations. The tale could begin in 1839, when soldiers of the British Empire marched into Kabul to conquer the Emirate of Afghanistan. In 1892 Rudyard Kipling poetically conveyed how well that exploit went:

“When you’re wounded and left on Afghanistan’s plains, and the women come out to cut up what remains, jest roll to your rifle and blow out your brains, an’ go to your Gawd like a soldier.”

However, my telling of inauspicious events actually starts in the late 20th century, when, as a 25-year-old artist living in Los Angeles, I first payed attention to politics in  Afghanistan. It was April 28, 1978, when news reports told of a coup d’état in Kabul. The communist People’s Democratic Party of Afghanistan (PDPA) had assassinated President Mohammed Daoud Khan and his family at the presidential palace, beginning in essence the conflict still faced today.

In 1978 Afghanistan was unimportant news to most Americans, struggling as we were against recession and gas lines. For those of us not old enough to remember, President Carter gave his infamous “malaise speech” in 1979. The Afghan coup in ’78 led me to study that landlocked nation, its history, culture, and politics, and I have been contemplating that country ever since. In the month of August, 2021, a new entry was placed in the Afghanistan Apocalypse Almanac, it was listed under “Biden Withdrawal.”

I was 21-years-old in April 29, 1975 when the last US helicopter took off from the US Embassy in Saigon, Vietnam. The communists seized the country so quickly it took the US by surprise; a hasty retreat was organized. Be that as it may, just days earlier on April 17, 1975, the genocidal Khmer Rouge marched into Phnom Penh, capital of Cambodia—when it comes to fanaticism the Taliban are evocative of the Khmer Rouge. Even after four decades I have been unable to forget the 10,000 or more Vietnamese at US Embassy gates, pleading to be airlifted out of ‘Nam. That reoccurring whirring chopper blade nightmare has now come home to roost in Kabul.

Left: US helicopter evacuates US Embassy as communists capture Saigon, Vietnam, 1975. Right: US helicopter evacuates US Embassy as Taliban capture Kabul, Afghanistan, 2021.

Left: US helicopter evacuates US Embassy as communists capture Saigon, Vietnam, 1975. Right: US helicopter evacuates US Embassy as Taliban capture Kabul, Afghanistan, 2021.

On April 14, 2021, Joe Biden declared he would conduct a “safe, deliberate and responsible” withdrawal of U.S. soldiers in “full coordination with its partners and allies in Afghanistan.” He carelessly stated the withdrawal of 2,500 U.S. troops would be completed on… September 11th.

Of course, that was the date Islamic fanatics from al-Qaeda crashed civilian airliners into the Twin Towers of New York City and the Pentagon in Virginia, killing 2,977 and wounding more than 6,000. Moreover, the Taliban had hosted al-Qaeda and Osama bin Laden in Afghanistan, where the 9/11 plot was hatched. I am certain the Taliban were pleased with the symbolic date, though it roiled Americans. Later in July, Biden quietly and without fanfare, changed the end date of the withdrawal mission to August 31.

I felt in my bones Biden’s withdrawal plan would be disastrous. Once he announced the evacuation, the Taliban rapidly began to seize provinces; they were surrounding the capital of Kabul. On May 8, 2021, the Taliban used three truck bombs to attack the Syed Al-Shahda girls’s school in Kabul. The blasts killed at least 90 and wounded some 100; most victims were teenage girls. The Taliban denied responsibility for the massacre, all while forbidding education to girls and women. The inhuman act was a glimpse into the future of women in today’s Taliban occupied Afghanistan.

I was shocked when US forces completely vacated Bagram Air Base under cover of darkness on July 1, 2021. It was done without informing the new Afghan base commander or the Afghan National Army, and it was ordered by Joe Biden. After the base lights were turned off, hordes of looters swept into the compound to steal everything not nailed down. This was the US evacuation and how it proceeded in “full coordination with its partners and allies in Afghanistan.”

Bagram Air Base should have been used in the withdrawal. It was the largest airfield in Afghanistan with two runways, multiple hangars, 100 parking bays for planes, a 50-bed hospital, and housing for 100,000. It has a defensible perimeter with fences, blast walls, and gun towers. There are no elevated positions nearby allowing enemies to shoot down into the base, nor urban areas to shelter guerilla attackers. One runway at Bagram could have handled incoming and outgoing flights, while the second launched helicopters for search and rescue missions of stranded Americans. Instead Biden chose Hamid Karzai International Airport in Kabul with its single runway, it has none of the attributes mentioned above.

Because of Biden’s withdrawal, 16,000 US military vets who worked as private contractors, were pulled out of the country. They had provided vital maintenance to aircraft of the Afghan Air Force; suddenly there was no one to keep Afghan planes and helicopters running. With Bagram Air Base closed and maintenance crews evacuated, Biden effectively grounded the Afghan Air Force. The Afghan National Army was also crippled by this; it had been trained by the US to rely on air intelligence and support during combat missions. When troops are pinned down with heavy fire or outnumbered by enemies, air-strikes are called in. But what happens when there are no planes?

On July 8, 2021, President Biden told the press: “The Taliban is not the North Vietnamese Army, they’re not… they’re not remotely comparable in terms of capability. There’s going to be no circumstance for you to see people being lifted off the roof of an embassy of the United States from Afghanistan. It is not at all comparable.” He went on to say: “The likelihood there’s going to be the Taliban overrunning everything and owning the whole country is highly unlikely.” When a reporter asked, “Is a Taliban takeover of Afghanistan now inevitable?” Biden replied, “No, it is not.”

Late 2020 in Herat Province Afghanistan, a girl accused of “immoral relations” for talking to a man on the phone, receives 40 lashes from the Taliban.

Late 2020 in Herat Province Afghanistan, a girl accused of “immoral relations” for talking to a man on the phone, receives 40 lashes from the Taliban.

The Taliban are certainly not the former North Vietnamese Army, they are Sunni fanatics who fight to impose sharia law on humanity.

Their base is the majority ethnic population of Afghanistan, the Pashtun. In the Pashto language Talib means “student” (plural, “Taliban”), one who studies Islamic fundamentalism in a Sunni religious school (madrassah). When they first ruled from 1996 to 2001, they banned western dress, music, art, and rights for women as “un-Islamic.” Violators of sharia law were shot, beheaded, or stoned to death in brutal public executions.

When overthrown in 2001, their cruelty continued in provinces they controlled. Now they are back in power, and there is no reason to believe they will be any less barbaric. No matter how we arrived at this cursed terminus, it is sobering to consider the victory of the Taliban; they won their war to establish a Sunni theocratic state. Like the Khmer Rouge of a ghost Cambodia, they want to go back, and the Talibs will go back to when there was nothing but Islam.

I never supported the US occupation of Afghanistan, or the idea of transforming the country through “nation building.” I opposed the war and occupation as administered by Republican and Democrat presidents. In point of fact I favored withdrawing US combat troops from Afghanistan in late 2001, when they smashed the al-Qaeda network with ground operations and a massive aerial bombing campaign. Once US soldiers denied bases to Osama bin Laden’s al-Qaeda terrorists by overthrowing the Taliban, it was time to get out of Dodge.

On Aug. 31, 2021, an anonymous source leaked an audio recording and transcript to Reuters. The materials documented a July 23, 2021 phone call Biden made to Ashraf Ghani, then president of Afghanistan. During the 14-minute call, Biden made clear that he knew catastrophe was unfolding, he told Ghani: “I need not tell you the perception around the world and in parts of Afghanistan, I believe, is that things are not going well in terms of the fight against the Taliban. And there is a need, whether it is true or not, there is a need to project a different picture.”

Ghani responded with: “We are facing a full-scale invasion, composed of Taliban, full Pakistani planning and logistical support, and at least 10-15,000 international terrorists, predominantly Pakistanis thrown into this.” Knowing he had leverage, Biden retorted: “You clearly have the best military, you have 300,000 well-armed forces versus 70-80,000 and they’re clearly capable of fighting well, we will continue to provide close air support, if we know what the plan is and what we are doing.”

Biden was well aware the Taliban could win, and lied when he told the American people the Taliban taking the “whole country is highly unlikely.” Biden wanted Ghani to lie as well, pressuring him to do so with the threat of withholding US air support. Can you say “Quid pro quo”? Democrats tried to impeach President Trump, accusing him of withholding military aid to Ukraine in the hope of forcing Ukraine President Zelensky to investigate Joe and Hunter Biden. According to that logic, when Biden threatened to stop military aid to Afghan allies because he wanted them to “project a different picture,” that was cause for impeachment.

“Bagram Prison, Afghanistan.” Oil on linen. Mark Vallen. 2009.

“Bagram Prison, Afghanistan.” Oil on linen. Mark Vallen. 2009.

On August 15, 2021 the Taliban seized Bagram Air Base and Bagram Prison, where al-Qaeda, Taliban, and Islamic State Khorason (IS-K) terrorists were held. All 5,000 were released. That same day the Taliban seized Pul-d-Charkhi prison in Kabul, all of its 5,000 al-Qaeda, Taliban, and IS-K prisoners were released. On Aug. 27, 2021, Pentagon Press Secretary John Kirby confirmed thousands of IS-K prisoners were freed.

The Afghan affiliate of ISIS is named after the Khorasan province of Afghanistan were IS-K has operated since its 2015 founding. (The acronym for the group also appears as ISIS-K and ISKP). Why did Biden not transfer dangerous terrorist leaders in Bagram and Pul-d-Charkhi prisons to detention facilities outside of Afghanistan before initiating his withdrawal?

President Ashraf Ghani fled the country on August 15, 2021, and the Afghan government fell. Thousands of Taliban gunmen swept into Kabul. Government soldiers threw down their arms and surrendered. Heavily armed Taliban fighters escorted their leaders into the presidential palace, and the white and black flag of the Taliban was once again hoisted above the presidential palace.

The Washington Post published a startling fact in their story on Afghanistan’s fall to the Taliban. When Ghani fled and the government collapsed, a meeting was arranged between US General Kenneth McKenzie—head of Central Command, and Abdul Ghani Baradar, co-founder of the Taliban. At the parley in Qatar the Taliban leader told McKenzie: “We have a problem. We have two options to deal with it: you, the United States military, take responsibility for securing Kabul or you have to allow us to do it.” The Taliban were offering the US the option of controlling the capital city. Knowing Biden wanted withdrawal, a deal was struck, the US could have the airport until Biden’s Aug. 31 deadline, and the Taliban would take everything else. McKenzie deliberately turned Kabul over to the Taliban.

Taliban gunman holding AK-47 rifle (left), holds Afghanis captive. They stand by wall art promoting UN “Sustainable Development Goals.” Points four and five are “Quality Education” and “Gender Equality.” Photographer unknown.

Taliban gunman holding AK-47 rifle (left), holds Afghanis captive. They stand by wall art promoting UN “Sustainable Development Goals.” Points four and five are “Quality Education” and “Gender Equality.” Photographer unknown.

It is horrifying to realize the magnitude of that agreement. The pact gave the Taliban, with their history of suicide bombing attacks against innocent civilians, total control of security outside the gates of Hamid Karzai International Airport. The Taliban appointed Khalil Haqqani as “security chief” of Kabul. Khalil is a leader of the Haqqani Network, which President Obama officially designated a terrorist group in 2012, placing it on the Foreign Terrorist Organization list of the US State Department. It was all leading to a cataclysmic bloodbath.

Also on August 15, 2021, Pentagon spokesman John Kirby told White House correspondent Jacqui Heinrich: “American citizens will not be given priority evacuation over Afghan Special Immigrant Visa applicants. Once we get more airlift out of Kabul, we’re going to put as many people on those planes as we can. There will be a mix, not just American citizens, but perhaps some Afghan SIV applicants as well. We’re going to focus on getting people out of the country, then sorting it out at the next stop. It’s not going to be just Americans first, then SIV applicants.” Again, I almost fell out of my chair when I read those words.

On August 16, 2021, as the Taliban overwhelmed Kabul, Biden said: “American troops cannot and should not be fighting in a war and dying in a war that Afghan forces are not willing to fight for themselves.” Biden insulted the 69,000 Afghan soldiers who died fighting the Taliban since 2001, his shameful remark aggrieved the family members of the slain Afghan troops. No one would dare say anything as loathsome about the 58,220 US soldiers who perished in the Vietnam war—but Biden’s slander of Afghan allies who gave their lives for a semblance of liberty, well… his remarks about them did not go unnoticed by others who have considered America a friend. People of Ukraine and Taiwan, you are next in line.

As the Afghan government crumbled, US helicopters airlifted hundreds of US Embassy personnel to Kabul’s Hamid Karzai International Airport. Desperate to escape, thousands of Afghanis and much smaller numbers of Americans and other foreign nationals, gathered outside the airport’s entry gates. The Taliban were there as well, making it nearly impossible to enter the installation. They pushed frantic crowds back with whips and sharp sticks, using gunfire for crowd control. Remember, the Biden administration tasked the Taliban with “securing” Kabul. Frenzied mothers passed their babies over barbed wire barriers to US Marines… praying the toddlers would be airlifted. Hundred climbed airport walls to storm the tarmac and try to get on a plane. This was the “safe, deliberate and responsible” withdrawal Biden promised.

"A heartrending video destined to be part of Biden’s legacy."

"A heartrending video destined to be part of Biden’s legacy."

In a heartrending video destined to be part of Biden’s legacy, hundreds of Afghans are seen running alongside a US Air Force C-17 cargo plane on Aug. 16, 2021. A handful of young men climbed onto the wheel well containing the plane’s landing gear; they clung to the plane as it taxied down the tarmac gaining speed.

Once the plane took off and was hundreds of feet in the air, the men lost their grip and fell to their death. Horrified people on the airstrip filmed the shocking spectacle with their cell phones; the appalling sight is a visual summation of the withdrawal. Two days later Pentagon spokesman John Kirby confirmed there were “at least several fatalities.”

The pilots could not fully retract the C-17’s landing gear, so they made an emergency landing in a nearby country. They found that an Afghan man wanting to fly out of the country, had attempted to stow away by climbing up the plane’s landing gear.

When the plane was airborne, the landing gear retracted and crushed the poor soul. From inside the plane, someone on the flight crew filmed the maimed body stuck in the gears, the broken limbs violently flapping in the jet engine blast.

Biden’s blundering withdrawal left behind $85 billion in US weaponry. As the Taliban seized depots, warehouses, and hangars formally under control of the Afghan army, they found huge amounts of weaponry, ammunition, and spare parts. Current video shows the Taliban mostly ditching their old Soviet made AK-47s for new American made M4 carbines equipped with Advanced Combat Optical Gun sights (ACOG). The Taliban now wear Marine Corps Combat Utility Uniforms, Modular Tactical Vests, and Advanced Combat Helmets. After Biden’s withdrawal the Taliban formed the “Victorious Force” unit to patrol Hamid Karzai International Airport; the unit is completely equipped with top-of-the-line US gear, including Humvees armed with M2 .50 Caliber Machine Guns.

Taliban soldiers in Kabul, Afghanistan, August 2021. Fully equipped with American gear, and riding one of the 42,000 pick-up trucks and SUVs left behind courtesy of Joe Biden. Twitter photo: @AsaadHannaa

Taliban soldiers in Kabul, Afghanistan, August 2021. Fully equipped with American gear, and riding one of the 42,000 pick-up trucks and SUVs left behind courtesy of Joe Biden. Twitter photo: @AsaadHannaa

With billions of dollars worth of small arms courtesy of Biden, the Taliban are now the most well equipped terrorist army the world has ever seen. Here is just a tiny fraction of the Taliban’s small arms inventory.

More than 600,000 automatic rifles—various platforms M16A2, M4 carbine, M249 SAW, M24 Sniper Weapon System, over 20 million rounds of 7.62mm, 9 million .50 caliber rounds, 1,394 M203 Grenade launchers with 61,000 40mm rounds. That’s just the small stuff.

The Taliban now have around 208 fixed wing aircraft and helicopters, including Super Tucano light attack aircraft, and UH-60 Black Hawk helicopters. For Pete’s sake they even have four C-130 Hercules cargo planes.

On Aug. 31, 2021 the Taliban flew a Black Hawk over Kandahar—birthplace of the Taliban. They also flew one at Kandahar’s Sept. 1, 2021 Victory Parade. Dozens of MaxxPro MRAP (Mine Resistant Ambush Protected) vehicles were in the parade, along with heavy US military trucks carrying M119 howitzers.

With all that, the Afghan 6th Century warlords have been transmogrified into futuristic jihadists armed with computerized weaponry. The Taliban now have PSQ-20 Enhanced Night Vision Goggles, 16,035 of them—allowing them to fight at night.

They have dozens of Boeing ScanEagle unmanned aerial vehicles (UAVs), used for surveillance and tracking enemy positions. Another waking nightmare is the Talibs seizing over 100 FGM-48 JAVELIN missile systems. The JAVELIN is a “manportable” anti-armor weapon designed to “kill” tanks, however, it can also destroy fortifications.

Just as worrisome, the Taliban seized Handheld Interagency Identity Detection Equipment (HIIDE). Those devices hold identifying biometric data like iris scans, fingerprints, and biographical info on millions of Afghanis. HIIDE devices can plug into Afghan governmental databases, which of course will reveal to the Taliban who worked for the Afghan government, army or police. There are reports the Taliban have already armed a special unit with HIIDE; their mission is to use biometric data in the hunt for Afghans who helped US and allied forces.

If the Taliban cannot operate or maintain their newly acquired weaponry, friends in China, Russia, and Pakistan can assist. China uses its own biometric devices to control their Uighur population. The Inter-Services Intelligence (ISI) agency of Pakistan has a close relationship with the Taliban, and they have the know-how to run HIIDE devices. There are already reports of US military armored vehicles being transported to the Islamic Republic of Iran. It is easy to imagine the Taliban selling or supplying military equipment and supplies to terrorists everywhere.

Afghan folk singer Fawad Andrabi, 2021.

Afghan folk singer Fawad Andrabi, 2021.

As US forces in Kabul prepared for withdrawal, the Taliban murdered an elder folk singer in the remote Andarab District of Baghlan Provice.

I was interested in “world music” as a pre-teen and developed a taste for ethnic folk music, so I was familiar with the instrument the slain folk singer played. His name was Fawad Andrabi, and he took his name from the land he loved. He played the Ghaychak, the traditional and ancient bowed lute common to Afghanistan, but with origins in ancient Persia.

Fawad would spread out a blanket in a beautiful gorge to entertain friends and strangers with his renditions of traditional songs. On Aug. 28, 2021 the Taliban visited Fawad at his home, his son said they drank tea with him. Afterwards they dragged him from his house and shot him in the head because the Taliban believe music is sinful and un-Islamic. It goes without saying that the killing of the gentle folk singer is the fate of art and culture under the medievalist Taliban. Fawad’s story was not news in America, I mention it here, both to honor his spirit, and curse the devils who took his life.

Consider the music of a very different performer and composer, Ustad Zahir Bakhtari. Though entirely unknown in the West, Bakhtari is a consummate professional musician and singer. He plays evocative classical Afghan music on sitar, but is also superb within the Afghan pop music millieu, as evidenced by his recent song Hawa Jam Ast. How will Bakhtari—and the many musicians like him, survive a regime that considers music “un-Islamic”?

Tweet. Nov. 24, 2020.

Tweet. Nov. 24, 2020.

Remember when Joe Biden said “We will repair our alliances and engage with the world once again,” and “It’s overwhelmingly in the interest of the United States of America to have a great relationship with NATO and with the EU. I have a very different view than my predecessor did.” Look at how that worked out.

After the fall of Kabul, the conservative Prime Minister of the United Kingdom, Boris Johnson, tried to reach Biden by phone to coordinate a response. His calls were not returned; it took Biden a full 36 hours to respond to Johnson. On Aug. 18, 2021, the British Parliament held an emergency debate on Afghanistan. That received scant attention in US media, but the debate illustrated how badly Biden had ruptured the “special relationship” between the US and the UK.

From across the political divide, Members of Parliament excoriated Biden for his “shameful” and “catastrophic” withdrawal. British MP Tom Tugendhat of the Conservative Party, served in Afghanistan. He delivered a compelling speech that brought an emotional quiet to the House of Commons as MPs contemplated its truths. MP Sir Ed Davey, leader of the Liberal Democrat party, said: “The American decision to withdraw was not just a mistake, it was an avoidable mistake.” MP Khalid Mahmood of the democratic socialist Labour Party said: “The Biden government have just come in and, without looking at what is happening on the ground, have taken a unilateral decision, throwing us and everybody else to the fire.” Ultimately, the debate ended with MPs speaking contemptuously of Joe Biden’s handling of Afghanistan.

Think about that for a moment. British Parliamentarians losing all respect for an American president because of a massive foreign policy catastrophe. Here is something else to contemplate… ABC, CBS, MSNBC, and CNN did not even cover the story.

Tweet. March 6, 2020.

Tweet. March 6, 2020.

US allies in the North Atlantic Treaty Organization (NATO), also criticized Biden. Armin Laschet of Germany’s Christian Democratic Union/Christian Social Union (CDU-CSU) coalition party, said of Biden’s withdrawal:

“It is the biggest debacle that NATO has suffered since its founding, and we’re standing before an epochal change.” Laschet will likely replace Chancellor Angela Merkel, who also had harsh words for Biden, Merkel said: “This is an extremely bitter development. Bitter, dramatic and terrifying. It is a terrible development for the millions of Afghans who want a more liberal society.

I am thinking of the pain of families of soldiers who lost their lives fighting there. Now everything seems so hopeless.” Merkel went on to say the withdrawal was carried out for “domestic political reasons. Germany’s President Frank-Walter Steinmeier criticized Biden’s withdrawal: “The images of desperation at Kabul airport are shameful for the political West. We are experiencing a human tragedy for which we share responsibility.”

French President Emmanuel Macron had a telephone conversation with Joe Biden where he emphasized “our collective moral responsibility toward the Afghan men and women who need our protection and who share our values. We cannot abandon them.” In the Biden White House readout of the call, the words “our collective moral responsibility” and “we cannot abandon them” were left out.

I fully expected jihadis would mount an attack on retreating US forces.

On Aug. 26, 2021 that moment of dread was realized; terrorists struck the “Abbey Gate” of Hamid Karzai International Airport with a suicide bomb attack. Close to the gate a huge crowd of Afghan men, women, and children hoping to be evacuated, stood near or in, a deep concrete ditch filled with sewage water. As they waved travel papers and pleaded for entry, US soldiers plucked a lucky few from the morass. Wearing an explosive vest the terrorist waded into the crowd and detonated his bomb. The explosion ripped through the mass of people. Heaps of mutilated, limbless bodies covered the sidewalk and filled the ditch, its waters turned blood red.

Marine Corps Sgt. Nicole Gee, 23. The service member from Sacramento, California was one of 13 US soldiers killed in a terrorist suicide bombing at Hamid Karzai International Airport on Aug. 26, 2021. Photographer unknown.

Marine Corps Sgt. Nicole Gee, 23. The service member from Sacramento, California was one of 13 US soldiers killed in a terrorist suicide bombing at Hamid Karzai International Airport on Aug. 26, 2021. Photographer unknown.

The blast took the lives of 13 American soldiers guarding the airport, 11 Marines, a Navy corpsman, and an Army Staff Sgt. 18 US soldiers were wounded. 170 Afghanis were killed in the massacre, with 150 wounded.

Islamic State Khorason (IS-K) took credit for the bombing. Did the Taliban allow the terrorists to pass through their “security” check points to carry out the attack?

Two weeks before the bombing CNN’s Clarissa Ward interviewed an IS-K leader in Kabul. He said IS-K fighters had no problem entering the capital or passing through Taliban checkpoints. Ward fled Afghanistan on Aug. 20 due to Taliban threats on her life.

Unbelievably, just hours after IS-K carried out their suicide bomb massacre at the airport, US General McKenzie said during a press conference that the US will continue to rely on the “Taliban as a tool to protect us as much as possible.”

In the airport bombing aftermath, Biden said on Aug. 27, 2021: “There is no evidence thus far that I’ve been given as a consequence by any of the commanders in the field that there has been collusion between the Taliban and ISIS in carrying out what happened today.” Those are nothing but weasel words. The extremist Haqqani Network is considered to be the deadliest Islamist terror group in Afghanistan. Infamous for conducting suicide bomb attacks and their affiliation with al-Qaeda, they pledged allegiance to the Taliban in 1995. Leaders of the Haqqani Network and the Taliban have said they are one and the same organizationally.

More to the point, a May 2020 UN Security Council report stated that Islamic State Khorason “operations resulting in civilian casualties allow Taliban deniability whereas ISIS-K is willing to claim responsibility to demonstrate capability and relevance.” The report said “relevance” to IS-K meant proving they are “the only defiant terror group in an effort to gain recruitment from potentially dissident Taliban or Al-Qaida members who oppose any agreement with the United States.” The United Nations report also dropped this bombshell:

“Most attacks claimed by ISIS-K demonstrated some degree of ‘involvement, facilitation, or the provision of technical assistance’ by the Haqqani Network. Furthermore, member states have stated that ISIS-K ‘lacked the capability to launch complex attacks in Kabul on its own’ while taking responsibility for operations that had, in all likelihood, been carried out by the Haqqani Network.”

The bodies of 13 US service members killed in terrorist suicide bombing at Hamid Karzai International Airport, return home on Aug. 28, 2021.

The bodies of 13 US service members killed in terrorist suicide bombing at Hamid Karzai International Airport, return home on Aug. 28, 2021.

Americans were already numb with shock over the news of 13 US soldiers massacred by an Islamic State suicide bomber, when Biden gave them more unwelcome news.

On Aug. 30, 2021 a press briefing was held with John Kirby, Pentagon Press Secretary, and General McKenzie, head of US Central Command.

A reporter asked McKenzie: “Do you have a message to Americans and allies that were left behind?” McKenzie responded with: “We think the citizens that were not brought out, number in the low, very low hundreds.”

… American citizens left behind in Afghanistan by the Biden administration… only numbered in… the low… very low… hundreds. Nothing to be upset about, just US nationals left to the tender mercies of the Taliban, al-Qaeda, Haqqani Network, and Islamic State Khorason, but only in the low… very low… hundreds.

As an American, perhaps the most shocking thing about Biden’s disorderly withdrawal was that he deliberately left hundreds of Americans in Afghanistan—he abandoned them to a fate dealt by terrorists. In an Aug. 18, 2021 interview with ABC News George Stephanopoulos, Biden said US troops would stay beyond the Aug. 31 deadline if necessary to get Americans out. He said: “If there’s American citizens left, we’re gonna stay to get them out.” Liar.

On Aug. 31, 2021, after the final American C-17 transport plane flew out of Hamid Karzai International Airport the day before with the last US soldiers on board, Biden spoke from the State Dining Room of the White House. He praised his withdrawal as an “extraordinary success,” saying it was “the largest airlift in US history, evacuating over 120,000 US citizens, citizens of our allies, and Afghan allies of the United States.” But he did not evacuate 120,000 Americans, he pulled out 5,400 US citizens and left 100s behind. As for the Afghan allies that fought by our side, untold thousands were left to the Taliban.

Biden continued: “To those asking for a third decade of war in Afghanistan I ask, ‘What is the vital national interest?’ I simply do not believe that the safety and security of America is enhanced by continuing to deploy thousands of American troops and spending billions of dollars in Afghanistan.”

Families of US soldiers killed in Kabul terror bombing, criticized Biden for checking his watch at Dover Air Base, while receiving remains of deceased. This anonymous meme captured the moment with a mock TIME magazine cover.

Families of US soldiers killed in Kabul terror bombing, criticized Biden for checking his watch at Dover Air Base, while receiving remains of deceased. This anonymous meme captured the moment with a mock TIME magazine cover.

What is the vital national interest? Remember that Green New Deal everyone is squawking about?

Lithium is a vital ingredient in making batteries for electric cars and buses—it’s also key in manufacturing batteries for laptops and cellphones.

A team of Pentagon officials and US geologists in 2010 discovered Afghanistan has the largest deposits of lithium in the world; the Pentagon referred to Afghanistan as the “Saudi Arabia of lithium.” Afghanistan also has huge deposits of rare earth elements, used as essential components in all types of high-tech products.

By 2018 Communist China produced 80% of the world’s rare earth elements. To be blunt, Biden just handed the Saudi Arabia of lithium over to Communist China. On Sept. 2, 2021, Taliban spokesman Zabihulla Mujahid, praised China as its closest ally; saying “China is our principal partner and for us represents a fundamental and extraordinary opportunity because it’s ready to invest in and reconstruct our country. China represents our passport towards the markets of the whole world.”

Now, what is the vital national interest?

The cruelest joke of all is contained in Biden’s “extraordinary success” speech, his taking credit for ending America’s “forever war.” I hate to say this but, the war did not end, it simply opened a new chapter. What is the vital national interest? Let me put it this way, now that Biden pulled out of Afghanistan, why not withdraw the 28,000 US soldiers deployed in South Korea? After all, they have been in that “forever war” for 70 years. I am certain North Korea’s “Dear Respected Leader” Kim Jong Un and his overlords in Communist China would never ever invade the south. I have come to view Biden’s Afghan withdrawal as no less preposterous.

At a Sept. 7, 2021 press conference in Kabul, the unelected Taliban ruling clique was announced—a formal celebration of the junta has been scheduled for a future date. Here are a few names from the terrorist pecking order of the so-called Islamic Emirate of Afghanistan. Mullah Mohammad Hassan Akhund will be Afghanistan’s acting “Prime Minister.” He is on an active UN sanctions list from Jan. 25, 2001 “regarding acts and activities of the Taliban authorities.” Akhund was previously “Foreign Minister” in the original Taliban 1996 regime overthrown by the US in 2001.

Taliban terrorists on the streets of Kabul, completely outfitted in US gear. Aug. 29, 2021.

Taliban terrorists on the streets of Kabul, completely outfitted in US gear. Aug. 29, 2021.

Sirajuddin Haqqani will head the Ministry of Interior, responsible for policing and national security. Sirajuddin is a member of the terrorist Haqqani Network, a group placed on the US State Department’s Foreign Terrorist Organization list. He is wanted by the FBI for a 2008 armed attack on a Kabul hotel that killed six people, including an American. He is also wanted for plotting to assassinate former Afghan President Hamid Karzai in 2008. The FBI are offering a $10 million reward for information leading to Sirajuddin’s arrest. The FBI describe him as “armed and dangerous.”

Pssst, hey FBI guys, he’s in the Ministry of Interior building, Airport Road, opposite Aria City, Kabul. Can I get my reward now?

At the press conference the Taliban’s “Supreme Leader” and “Commander of the Faithful,” Mullah Hebatullah Akhundzadeh, told the world: “I assure all citizens that the rulers will do everything in their power to uphold Islamic law in the country.” Taliban spokesman Suhail Shaheen stressed the Taliban government will not recognize nor establish relations with Israel, which will no doubt thrill the Boycott, Divestment, and Sanctions (BDS) crowd, along with a certain “squad” of US Congressional Reps.

There are 5 members of the new Talib regime that you should know about. They were in the first Taliban reign of terror of 1996 to 2001. When the US toppled the Taliban, the 5 were captured and charged with a variety of offenses; two were wanted for the mass murder of Shiite Muslims. The 5 were sent to Guantanamo Bay detention camp (Gitmo), where they became known as the Gitmo 5 or Taliban 5. On May 31, 2014, Pres. Barack Obama had them traded for US deserter Bowe Bergdahl, who abandoned his post and surrendered to the Taliban in 2009. The Haqqani network held Bergdahl prisoner. The US had stipulations for the release; the 5 had to stay in Qatar and not engage in the politics of Afghanistan. Imagine Obama’s surprise when the 5 broke their promise!

The 5 took part in the 2021 insurgency, and were given appointments in the new Taliban “government.” Their names and positions follow: Mullah Norullah Nori (Border and Tribal Affairs Minister), Abdul Haq Wasiq (Intelligence Director), Mulla Mohammad Fazl (Deputy Defense Minister), Khair Ulla Said Wali Khairkhwa (Information and Culture Minister), and Mohammad Nabi Omari. While not given a post in the central government, Omari was appointed governor of Khost Province.

On Sept 10, 2021, Taliban spokesman Sayed Zekrullah Hashimi, told the press: “A woman can’t be a minister, it is like you put something on her neck that she can’t carry. It is not necessary for women to be in the cabinet, they should give birth.” It is so nice that Biden’s Secretary of State Antony Blinken, called the Taliban “cooperative, flexible, and businesslike.

Sept. 11, 2021 is the 20th anniversary of 19 al-Qaeda terrorists hijacking four commercial airliners, and flying them with passengers and crew into American targets. Two planes hit the Twin Towers in New York City, one struck the Pentagon just outside Washington, D.C. The 3 terrorists on Flight 93 intended to crash into the United States Capital, but some passengers had another idea, they would fight the hijackers.

Todd Beamer gave the signal—“Let’s roll,” and the heroes jumped the knife wielding al-Qaeda fiends, preventing Flight 93 from hitting the Capital. It crashed into a Pennsylvania field instead.

“Fail.” Credit: POTUS 2021.

“Fail.” Credit: POTUS 2021.

The 20th anniversary observance will be more somber than those of previous years. We fought the Taliban and al-Qaeda for twenty-years, we poured $2 Trillion into the war, more than 2,300 US soldiers were killed. The people of Afghanistan suffered greatly, 64,100 of their soldiers died at our side fighting the Taliban and 111,000 Afghan civilians perished in the warfare.

This year’s commemoration will be more than tragic because the reprehensible Taliban are back in power and sitting on a mountain of sophisticated US arms. The wretched al-Qaeda, rapidly growing in Afghanistan, will celebrate America’s Sept. 11 losses past and present, and plot new attacks against us. And Joe Biden, the president who greatly weakened and humiliated America on the world stage, will continue to shamble on, mumbling as he manages America’s decline.



October 21, 2021: The Biden White House admits it is “in touch with” 363 American citizens left behind in Afghanistan, and that 176 want to leave the country. However, in August Biden said “only 100 Americans” were left behind and wanted to leave. Nevertheless, Biden did not rescue them, volunteer private flights were organized by US citizens and Vets to rescue 100s of Americans, and those efforts were blocked by the Biden State Department.

BOMBSHELL: Sept. 28, 2021: Defense Secretary Lloyd Austin, Joint Chiefs of Staff Chairman Mark Milley, and head of U.S. Central Command, Gen. Frank McKenzie, testified before the US Senate Armed Services Committee. All three stated they advised Biden to keep 2,500 US troops in Afghanistan, saying the rapid and complete withdrawal of US forces would lead to the collapse of the Afghan military. Biden disregarded his general’s recommendations, but lied to the American people by saying no top military leader had advised him about leaving a small US troop presence in Afghanistan.

In an Aug. 18, 2021 interview with Biden, ABC News’ George Stephanopoulos said, “your top military advisors warned against withdrawing on this timeline, they wanted you to keep about 2,500 troops.” Biden replied, “No, they didn’t, That wasn’t true.” Biden want on to say, “No one said that to me that I can recall.”

Sept. 17, 2021: The BBC reports the Taliban shut down the Women’s Affairs Ministry, and replaced it with the “Ministry of Vice and Virture,” which will enforce strict religious doctrine.

Sept. 17, 2021: The BBC reports the US Department of Defense admits killing an innocent man working with a US aid group in Afghanistan. US forces carried out a drone strike on Aug. 29, 2021, thinking the aid worker was an ISIS-K suicide bomber readying an attack on Kabul airport. After the strike the Pentagon claimed to have killed 2 “high-profile” terrorists. Instead, they killed aid worker Zemari Ahmadi and 9 members of his family, 7 were children. General McKenzie stated: “It was a mistake and I offer my sincere apologies.”