Origins of the “Clenched Fist” image

“The Fist.” Frank Cieciorka. Woodblock print. 1965.

The militant symbol of the clenched fist has been around since the early 1900’s, springing up in graphics from Mexico and the US, to Europe and Russia.

Typically depicted as part of the human figure, holding tools or other symbols, or breaking through a barricade, the iconographic fist underwent a change at some point in the 1960’s; it became an abstract graphic element detached from the human figure.

The fist was original conjured up as a detached image by San Francisco Bay artist and socialist militant, Frank Cieciorka. Just returned from Mississippi in 1965 as an activist in the Student Non-Violent Coordinating Committee, Cieciorka was inspired by the woodcuts of Mexican master, José Guadalupe Posada, and he set out to create his own series of woodcuts, the clenched first being the first and the most popular.

Cieciorka’s Fist became one of the most iconic New Left graphic symbols of the late 1960s and early 1970s.

Similar Posts

  • The Humblest Artisan Praised

    “There is nothing more contemptible than an idle citizen who can combine his laziness with wealth and, consequently, with honors. The humblest artisan, is more worthy of appreciation and, I think, of real honor, than the most illustrious, the most honored, and the richest gentleman if he is at the same time lazy and useless.” [ From an essay printed…

  • Art of Engagement Exhibit

    A major exhibition of socially engaged artworks is presently on display at Jack Rutberg Fine Arts in Los Angeles. Art of Engagement presents works that address major world conflicts and conflagrations, from the Spanish Civil War, the Holocaust and Hiroshima, to the Vietnam war and the present debacle in Iraq. Some of the artists included in this amazing show include…

  • Conflict: Works on Paper

    I’ll be showing two drawings at Conflict: Works on Paper, the thirty-fourth annual national exhibition at the Brand Gallery in Glendale, California. In this post I’d like to focus on one of the drawings I’ll be exhibiting, Voices of Justice, a large chalk pastel work commissioned in 1989 by the Guatemalan Information Center (GIC.) The GIC was an organization of…

  • DESIGNISM: Instigating Social Change

    Designism: Instigating Social Change, was a panel discussion organized by the famed Art Directors Club of New York City, and presented as a forum that would focus on the “role and responsibility of creatives to instigate social change”. Naturally, as an artist long committed to a socially engaged art, the forum sounded interesting, but living and working in L.A. made…