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Armed Guards at LACMA

Armed guards carrying clubs and loaded guns now patrol the new Broad Contemporary Art Museum (BCAM), the latest addition to the Los Angeles County Museum of Art. No less than three armed guards have been seen patrolling the BCAM, with one security officer assigned to watch over Damien Hirst’s installation Away from the Flock – a dead lamb pickled in…

Exhibit at Katalyst Gallery, Los Angeles

I will be exhibiting a few paintings in a group show presented by the newest gallery space in downtown Los Angeles, California, the Katalyst Foundation for the Arts. Starting May 31, 2008, and running until the end of June, 2008, Pulse Point will be the second exhibit offered by Katalyst in its temporary gallery near the historic Little Tokyo district…

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Michael Rossman: All Of Us Or None

It is not likely that many people personally knew, or even heard of, Michael Rossman – yet for those even remotely interested in the alternative culture and politics that thrived in Berkeley, California in the late 1960s, Michael’s spirit looms large. I consider myself fortunate to have known him – however briefly – and to be able to say that…

Kent Twitchell: The End of Muralism?

On May 1st, 2008, the Los Angeles Times reported that famed L.A. muralist Kent Twitchell settled his lawsuit against the U.S. government for obliterating his six-story mural depiction of artist Ed Ruscha. Starting in 1978, it took Twitchell nine years to complete his mural on an outside wall of the L.A. headquarters of the U.S. Department of Labor. In 2006…

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Edward Hopper: A Retrospective

Edward Hopper (1882-1967) is the subject of a major retrospective at the Art Institute of Chicago, the last venue for a traveling exhibition that included stops at the Museum of Fine Arts, Boston, and the National Gallery of Art, Washington. Encompassing nearly 100 of the artist’s most notable prints and paintings, the exhibit features some of the artist’s most iconic…

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Modern Painters: Art & War

The April 2008 edition of Modern Painters: The International Contemporary Art Magazine, is devoted to “the politically driven art made in response to war and its critical reception.” An introductory statement from the magazine’s Assistant Editor, Quinn Latimer, sums up the profusely illustrated April edition thusly: “Each month, with some discomfiture, we publish art criticism that rarely touches on the…