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The Orientalists: Then and Now

The Lure of the East: British Orientalist Painting, is an important exhibition running in London at the Tate Britain from June 4th, 2008 through August 31st, 2008. The exhibit provides a somewhat critical look at Orientalism, the genre commonly associated with nineteenth-century Western artists who depicted the peoples and cultures of an imagined Near and Middle East. The Tate is…

The Shallow Jake and Dinos Chapman

There is seemingly no end to the superficiality of today’s postmodern art and the cravenness of those fame seekers who create it. In 2003 BritArt movement superstars Jake and Dinos Chapman purchased a suite of Goya’s celebrated antiwar etchings, Disasters of War, and in a gesture supposedly meant to lay bare the inadequacy of art as protest, defaced the set…

The Cologne Progressives

Some years ago, while visiting the German city of Cologne, I discovered the works of the Cologne Progressive Artists Group (Gruppe Progressiver Künstler Köln), a bloc of artists that represented the radical outer fringe of the Expressionist movement of the Weimar Republic (1918-1933). Fortunately for enthusiasts of art from the Weimar years the Museum Ludwig in Cologne, Germany, has mounted…

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Armed Guards at LACMA

Armed guards carrying clubs and loaded guns now patrol the new Broad Contemporary Art Museum (BCAM), the latest addition to the Los Angeles County Museum of Art. No less than three armed guards have been seen patrolling the BCAM, with one security officer assigned to watch over Damien Hirst’s installation Away from the Flock – a dead lamb pickled in…

Exhibit at Katalyst Gallery, Los Angeles

I will be exhibiting a few paintings in a group show presented by the newest gallery space in downtown Los Angeles, California, the Katalyst Foundation for the Arts. Starting May 31, 2008, and running until the end of June, 2008, Pulse Point will be the second exhibit offered by Katalyst in its temporary gallery near the historic Little Tokyo district…

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Michael Rossman: All Of Us Or None

It is not likely that many people personally knew, or even heard of, Michael Rossman – yet for those even remotely interested in the alternative culture and politics that thrived in Berkeley, California in the late 1960s, Michael’s spirit looms large. I consider myself fortunate to have known him – however briefly – and to be able to say that…