In the early 1970’s I came under the influence of those artists now known as the New Realists, or Photo-Realists. At the time I was a student in art school, and there was actually very little training in the traditions of drawing, perspective, color theory and painting. My teachers were mostly in the abstract expressionist mold, and they constantly discouraged…
Here in Los Angeles the banners advertising the Jean-Michel Basquiat July-Oct. 2005 exhibit at the Museum Of Contemporary Art (MOCA) have been ubiquitous. That no one knows how to pronounce the name of the deceased artist only adds to the carefully manufactured aura of mystique that surrounds his legacy. I’ve heard “Bäs k-ät”, “Bas-KEE-ah” and several malformed variants – but…
Jack Vettriano. You’ve seen prints of his paintings everywhere, and they outsell reproductions of artworks by Van Gogh, Monet and Picasso. I first saw reproductions of Vettriano’s paintings when I visited a popular store here in Los Angeles that sells home decor items, and my immediate response was a disapproving one. The artworks are saccharine and “romantic” renditions of handsome…
“If I can’t dance I don’t want to be in your revolution“ is a quote long attributed to anarcho-communist activist, Emma Goldman. Taken up by some on the modern US left as a catchphrase against artless bureaucratic organizing, the slogan has also been the organized American left’s feint at indicating concern for cultural matters. In point of fact, the saying…
The Los Angeles County Museum of Art (LACMA) has announced it will sell 42 paintings, including masterworks by Henri Matisse, Edgar Degas, and Camille Pissarro, in order to raise the capital necessary to make acquisitions of “modern works.” But for LACMA to abruptly get rid of 42 “redundant and unrepresentative” artworks in order to purchase new art begs the question;…
I’m a participating artist in Dia de los Muertos: The Journey Home, the nineteenth annual Day of the Dead exhibition at Chicago’s National Museum of Mexican Art. I’m honored that the institution chose to exhibit my oil painting Dia de los Muertos in its group show of forty artists from across the U.S. and Mexico. This is the nation’s biggest…
The Battle for Babylon is an article written by art critic Jerry Saltz. While his article focuses on the art scene in New York, his critique is applicable almost universally. He takes the position that “more artists, gallerists, and curators are taking matters into their own hands” in an effort to circumvent the current arrangement that “reduces art to its…
The International Center of Photography in New York is hosting an exhibition of wartime photographs titled: El Salvador: Work of Thirty Photographers. This important exhibit details the bloody US backed counterinsurgency war that ravaged the Central American nation, with the photos documenting the period from 1979 to 1983. Organized more than twenty years ago by photographers Susan Meiselas and Henry Mattison,…
