The Truth About Babylon Berlin

In the dead of night in 1929, a Steam Locomotive roars down the tracks to Berlin from somewhere in Russia. The mysterious train carries hidden cargo, tons of gold and a huge amount of deadly poison phosgene gas. But who are the senders and who are the recipients? Disparate forces and individuals in Berlin—monarchists, mobsters, social democrats, trotskyists and stalinists—all…

Echoes of Weimar

Barthel Gilles (1891-1977) was one of those artists overlooked by history, he was a fabulously talented painter who lived during the rise and fall of Germany’s Weimar Republic (1919-1933), not to mention the ascendancy and demise of the Nazi regime. An undeniably idealistic and passionate artist, he was not left unscathed by the terrible days he passed through; one could…

Paul Fuhrmann’s “War Profiteer”

Paul Fuhrmann’s painting titled War Profiteer depicts a straightforward scene of an artist at work in his studio with a patron approvingly overseeing the beginnings of a freshly painted canvas. Upon closer inspection the picture reveals a narrative on the subject of culpability and corruption; the canvas is in actuality a fully relevant morality tale for today’s art world. Fuhrmann…

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O Blessed Christmas!

Hark the Herald Angels Sing! Machine Gun Clatter! Bomb Blast! Poison Gas! The anti-militarist Christmas message from John Heartfield shown at left was published on December 26, 1935, in the German magazine, Arbeiter-Illustriete Zeitung (AIZ, or “Worker’s Illustrated Paper”). The title of the photomontage, O du fröhliche, O du selige, gnadenbringende Zeit (O joyful, o blessed, miracle-bringing time), was taken…

The Cologne Progressives

Some years ago, while visiting the German city of Cologne, I discovered the works of the Cologne Progressive Artists Group (Gruppe Progressiver Künstler Köln), a bloc of artists that represented the radical outer fringe of the Expressionist movement of the Weimar Republic (1918-1933). Fortunately for enthusiasts of art from the Weimar years the Museum Ludwig in Cologne, Germany, has mounted…

Rise and Fall of the City of Mahagonny

The opera, Rise and Fall of the City of Mahagonny, is a razor-edged critique of capitalism, and considered by many to be the greatest collaboration between music composer Kurt Weill and playwright Bertolt Brecht. On March 4th, 2007, well over 3,000 people packed the Los Angeles Dorothy Chandler Pavilion to see the seventh and final performance of the L.A. Opera’s…

Night of the Black Moon

Sometimes an artist’s efforts to endure an indifferent society seems an unbearable, uphill battle. When on occasion I’m feeling disheartened, I find solace by reading about what other artists have had to put up with in the course of their careers. Such reading usually provides me with enough consolation to shake off my negative mind-set and enthusiastically return to my…