That’s The Way The Kamala Cookie Crumbles

This blog is dedicated to my views on art and culture, but on this rare occasion I must include the culinary arts. On her June 6, 2021 night flight to Guatemala on Air Force Two, Vice President Kamala Harris wanted to give a sweet treat to members of the truehearted media onboard, you know, for their loyal service to “the big guy.” An unnamed pâtissier provided the perfect baked goodie—the pastry chef conjured up a gourmet cookie bearing the likeness of the Veep herself. Of course, it is based upon the official Vice Presidential portrait photo.

“Kamala Cookie.” Photo of cellophane wrapped cookie passed out by VP Harris on AF2. The image is evocative of René Magritte's “vache” paintings. Don’t ask me, look it up on DuckDuckGo. Photo credit: @cmsub
“Kamala Cookie.” Photo of cellophane wrapped cookie passed out by VP Harris on AF2. The image is evocative of René Magritte's “vache” paintings. Don’t ask me, look it up on DuckDuckGo. Photo credit: @cmsub

This was not your typical small, flat, round, factory-made, lowly cookie you buy in a proletarian convenience store. This cookie was regal, a patrician cookie, a culinary masterwork to haunt politicos for eternity; though it may crumble under the slightest pressure. The cookie’s icing undoubtably contains synthetic food dyes Blue 1, Red 3, and BS 2020, which may negatively impact behavior in children, so I do hope none of the journalists give their cookies to their kids. The journos however are safe, as they have grown tolerant of BS 2020.

The oversweet Kamala confection—I am speaking of the cookie, is shaped like an emblem. While no one knows what it is emblematic of, the multitudes who love sugarcoated things will appreciate this badge-like cookie. In fact, it might be the only sacchariferous badge they will not defund. An average “foodie” may think the sugary glaze distracts from the visage of a faceless VP, however any connoisseur of oligarchical collectivism understands that sometimes “facelessness is usefulness” when it comes to the oblivion of politics—no matter how saccharine the taste.

Reports say a disgruntled member of the AF2 wicked kitchen staff smuggled a Kamala cookie off the plane. It was disguised as a double decker cheeseburger. Since the Veep embraces the Green New Deal objective of reducing meat consumption, it was easy to offload the “burger” and secret the camouflaged cookie to the last independent journalist in America, who by the way has been deplatformed. Fellow gourmets, do not worry, it will all be soon forgotten. Bon appétit!

Similar Posts

  • The Pervasive Ignorance of Westerners

    Starting this January 6th, the Stephen Cohen Gallery in Los Angeles is holding an exhibit of photos by Tseng Kwong Chi, and reading from the press release the show presents “tongue-in-cheek images of the artist posing as a Chinese Communist dignitary or ‘Ambiguous Ambassador’ in a world utterly alien to his persona, complete with the classic Mao suit, dark glasses…

  • Update on – Conflict: Works on Paper

    [ Voices of Justice – Vallen 1989. Chalk pastel. On display at the Brand Gallery. ] Some 200 people turned out for the opening of Conflict: Works on Paper, the thirty-fourth annual juried competition at the Brand Gallery in Glendale, California. I am more than pleased that both of my submitted drawings, Voices of Justice and Not Our Children, Not…

  • |

    Hillary Clinton Funds War on Art?

    Funding is one activity that has sustained the acts of vandalism carried out against art museums by the UK group Just Stop Oil. That faction has received financial backing from the Climate Emergency Fund, a global network of “climate activists” headquartered in Beverly Hills, California. This was verified on Aug. 10, 2022 when the New York Times reported that the…

  • Goya and the Sleep of Reason

    In the late 1700s the Spanish artist Francisco de Goya y Lucientes (1746-1828) created a series of eighty etchings he titled Los Caprichos (The Caprices). An irrational thought or action can be a “caprice,” and Spanish society at the time provided Goya with myriad examples of ferocious caprices. For instance, Goya created paintings and prints that wryly scrutinized the Spanish…

  • Babylon must Fall

    The Battle for Babylon is an article written by art critic Jerry Saltz. While his article focuses on the art scene in New York, his critique is applicable almost universally. He takes the position that “more artists, gallerists, and curators are taking matters into their own hands” in an effort to circumvent the current arrangement that “reduces art to its…

  • The Architecture of Submission

    Cultural democracy is part of the structure of any truly democratic society, and like political democracy, it derives its strength solely from the people. The creation, propagation, and accessibility of the arts not only helps to promote democratic values – it is vital to them. However, participatory and community based cultural democracy is never a given, it is something we…