Happy Thanksgiving Gobble Gobble

The Battle for Babylon is an article written by art critic Jerry Saltz. While his article focuses on the art scene in New York, his critique is applicable almost universally. He takes the position that “more artists, gallerists, and curators are taking matters into their own hands” in an effort to circumvent the current arrangement that “reduces art to its…

I was recently interviewed by Ms. Emily Wilcox, an art student at Western Kentucky University, as part of her undergraduate thesis research project conducted on the subject of “Art as Activism.” The results of our dialogue are a reasonable glimpse into my take on things, so I am publishing the interview here with the kind permission of Ms. Wilcox. Q:…

Larry Beinhart, author of Wag the Dog, just published an interesting essay titled, Abdication of the Artists. In his piece Beinhart bemoans the complacency of contemporary artists, using the annual exhibit produced by the Woodstock Guild of Artists as an example of the apathy he detests. Beinhart writes: “This year there were 152 pieces. Some were very clever. Some amusing….

For those who still regard art as being above politics consider the following. The Central Intelligence Agency financed, organized, and assured the success of the American abstract expressionist movement, using artists like Jackson Pollock, Sam Francis, Willem de Kooning, Barnett Newman, Robert Motherwell, and Mark Rothko, as weapons in the struggle against the Soviet Union. Frances Stonor Saunders has presented…

Storefront for Art and Architecture is a non-profit organization in New York that prides itself on being one of that city’s few alternative groups focused upon architecture and urban design. Established in 1982, the group seeks to advance innovative architecture through education, artist’s talks, film screenings, forums, and exhibitions. For the first time the group is conducting an event outside…

On January 29, 2005, I wrote an article titled Body Worlds: The Art of Plastic Corpses?, in which I criticized the popular traveling exhibitions of plasticized human bodies that have garnered so much national attention in the United States. On March 4, 2005, I wrote a follow-up article, Body Worlds Corpse Factory, which took a closer look at Gunther von…