In July of 2005, I wrote about Myth of Tomorrow, a long lost but rediscovered mural by famed Japanese artist, Taro Okamoto. This article was updated on April 9, 2016 to reflect recent developments regarding Mr. Okamoto’s monumental mural. The video above shows the mural in situ at the Shibuya railway station in Shibuya, Tokyo, Japan. Painted in Mexico between 1968…
On August 2nd, 2006, after spending my entire adult life reading about América Tropical, the internationally famous mural painted in Los Angeles by Mexican Muralist master, David Alfaro Siqueiros, there I was, for the very first time – barely inches from the huge masterwork. Just the day before I had received a telephone call from friend and associate, Luis Garza,…
On Monday July 17, 2006, Agence France Presse reported: “US Ambassador John Bolton said there was no moral equivalence between the civilian casualties from the Israeli raids in Lebanon and those killed in Israel from ‘malicious terrorist acts.’” A poem written in 1982 by Israeli playwright and poet, Chanoch Levin. ______________________________________________________ Beirut is in flames. Beirut is burning And this…
The UK Tate Gallery has mounted an exhibition titled, Summer of Love: Art of the Psychedelic Era, an exhibit that, “attempts to uncover this forgotten and repressed aesthetic that continues to exert an increasingly powerful influence on many contemporary artists.” The Tate also developed an adjunct show on the aesthetics of psychedelia for the Kunsthalle in Vienna – both exhibits…
As a longtime art critic, and as the Senior Curator for the Riverside Art Museum, one would assume Peter Frank would know the difference between “Social Realism” and “Socialist Realism,” they may sound alike to those unfamiliar with art history, but Frank should know better. In his June 28th LA Weekly review of an exhibit of paintings by Armenian artist,…
The article When Art Becomes Inhuman was written by conservative Karl Zinsmeister for a 2002 edition of The American Enterprise magazine. Zinsmeister’s commentary was a general condemnation of modern art, with a sharp focus upon the extremes of postmodernism – which he described as a “left-wing cause.” Zinsmeister sarcastically declared, “Surely you’ve noticed that the art smarties never lay out…
At Work: The Art of California Labor, opened with a fabulous Artist’s Reception on June 17th, 2006. Well over 500 art lovers from all over Southern California and beyond made their way to the event at the historic Pico House Gallery in downtown Los Angeles, located on the founding avenue of the city, Olvera Street. At Work is of course…
In a June 16th New York Times article titled, Dada at MoMa: The Moment When Artists Took Over the Asylum, critic Michael Kimmelman wrote about the rise of Dada: “When governments were lying, and soldiers were dying, and society looked like it was going bananas. Not unreasonably the Dadaists figured that art’s only sane option, in its impotence, was to…
